#: locale=en
## Action
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## Media
### Audio
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### Floorplan
### Image
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### Title
photo_3DE61D16_EE59_3915_41AD_50FB40B74289.label = 1 Site Sign, for contact info, outside
photo_3DE61D16_EE59_3915_41AD_50FB40B74289.label = 1 Site Sign, for contact info, outside
photo_2B36F08B_EE5F_07F3_41E0_14301BEC410E.label = 10a Study for Cave Spring, #20, dining room
photo_2B36F08B_EE5F_07F3_41E0_14301BEC410E.label = 10a Study for Cave Spring, #20, dining room
photo_2B020340_EE5F_096D_41E5_98FBBFB8C4E3.label = 11 Decorated tablecloth, #21, dining room
photo_2B020340_EE5F_096D_41E5_98FBBFB8C4E3.label = 11 Decorated tablecloth, #21, dining room
photo_2B1585D5_EE5F_0917_41CB_9F7EFDA5CBD3.label = 12 Recipe Books, #22, kitchen
photo_2B1585D5_EE5F_0917_41CB_9F7EFDA5CBD3.label = 12 Recipe Books, #22, kitchen
photo_2B19C88C_EE5F_07F6_41E8_61FEE3E7E760.label = 13 Sheet music, #23, T.P.’s room
photo_2B19C88C_EE5F_07F6_41E8_61FEE3E7E760.label = 13 Sheet music, #23, T.P.’s room
photo_2BEE0B9F_EE5F_1913_41AF_48366EBA9116.label = 14 Art Books, #25, Tom’s room
photo_2BEE0B9F_EE5F_1913_41AF_48366EBA9116.label = 14 Art Books, #25, Tom’s room
photo_2BF1EE12_EE5E_FAED_41C5_8F1BB2F191AE.label = 15b Embroidered Landscape, #26, Tom’s room
photo_2BF1EE12_EE5E_FAED_41C5_8F1BB2F191AE.label = 15b Embroidered Landscape, #26, Tom’s room
photo_2BFC7E6F_EE59_1B33_41C5_108A02500BF0.label = 16 Books, #29, library
photo_2BFC7E6F_EE59_1B33_41C5_108A02500BF0.label = 16 Books, #29, library
photo_2BC85255_EE59_0B17_41C0_C4DA6FC4F4F2.label = 17a National Institute of Arts
photo_2BC85255_EE59_0B17_41C0_C4DA6FC4F4F2.label = 17a National Institute of Arts
photo_2BD4E43F_EE59_0F13_41E0_D0FC4C70B498.label = 18b Still Life, #32, library
photo_2BD4E43F_EE59_0F13_41E0_D0FC4C70B498.label = 18b Still Life, #32, library
photo_2BD9E028_EE59_073D_418B_7A08D69BBD1A.label = 19 Sewing Machine, #34, Rita’s room
photo_2BD9E028_EE59_073D_418B_7A08D69BBD1A.label = 19 Sewing Machine, #34, Rita’s room
map_54401C38_44D0_C23E_41C5_A4E18B07CD75.label = 1st_floor_without-dimensions_3622_belleview_ave_thb_house___kansas_city
photo_2A9D1FB6_EE59_1912_41C3_C757758CE2D7.label = 2 Ten-Pound Hammer Maquette, tag #2, studio
photo_2A9D1FB6_EE59_1912_41C3_C757758CE2D7.label = 2 Ten-Pound Hammer Maquette, tag #2, studio
map_480B2EAF_34AB_F358_41BE_46FEFB03667D.label = 2nd_floor_without-dimensions_3622_belleview_ave_thb_house___kansas_city
photo_2B6DED46_EE5F_1972_41AA_9C99B6D9913F.label = 3a Mule Jawbone, #3, studio
photo_2B6DED46_EE5F_1972_41AA_9C99B6D9913F.label = 3a Mule Jawbone, #3, studio
photo_2B72D088_EE5F_07FD_41AC_DCE3907B4964.label = 4 Paint pigments, #5, studio
photo_2B72D088_EE5F_07FD_41AC_DCE3907B4964.label = 4 Paint pigments, #5, studio
map_487202C9_34AB_90D9_41C3_53C83AA8313A.label = 4_3622-belleview-ave-kansas-city-mo-united-states_0
photo_2B46534F_EE5F_0972_41C3_D43585ED47CA.label = 5 Ten-hole Hohner harmonica, #6, studio
photo_2B46534F_EE5F_0972_41C3_D43585ED47CA.label = 5 Ten-hole Hohner harmonica, #6, studio
photo_2B49752A_EE5F_0932_41D1_C40353B3F116.label = 6b Unfinished Study, #8, studio
photo_2B49752A_EE5F_0932_41D1_C40353B3F116.label = 6b Unfinished Study, #8, studio
photo_2B52D4ED_EE5F_0F36_41BD_EB53EBF01C59.label = 7a Painted windows, #14, foyer
photo_2B52D4ED_EE5F_0F36_41BD_EB53EBF01C59.label = 7a Painted windows, #14, foyer
photo_2B258807_EE5F_06F3_41C8_777806B7AB92.label = 7b Painted windows, #14, foyer
photo_2B258807_EE5F_06F3_41C8_777806B7AB92.label = 7b Painted windows, #14, foyer
photo_2B209227_EE5F_0B32_41B2_EB943AFAC6B6.label = 8 Push-Button Light Switches, #15, foyer
photo_2B209227_EE5F_0B32_41B2_EB943AFAC6B6.label = 8 Push-Button Light Switches, #15, foyer
photo_2B29B436_EE5F_0F12_41EB_36E4971844CD.label = 9b Oriental Rugs, #17, foyer
photo_2B29B436_EE5F_0F12_41EB_36E4971844CD.label = 9b Oriental Rugs, #17, foyer
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_0.label = Blank Canvas, tag4a
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_1.label = Classroom Drawing Peixotto, tag12
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_2.label = Decorated Tablecloth, tag21
panorama_BC806604_2A59_D341_41A4_B584A9FC5ED2.label = Dining Room
panorama_8F09E267_9D96_E71A_41DD_5FCC4B6A9E90.label = Dining Room 2
panorama_8C61E19D_9D91_252F_41D2_A2DCE777EC17.label = Dining Room 3
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_3.label = Dining Table, tag18
panorama_BD835F7C_2A58_71C1_41BA_39B86922CC68.label = Door to Basement
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_4.label = Drink Bar, tag19
panorama_BE0DB27B_2A58_73C7_41B9_38A4F3F024B5.label = Entrance
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_5.label = Family Furniture, tag13
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_6.label = Family Photo, tag11
panorama_BE637120_2A59_D141_418F_67C741FCD852.label = Foyer
panorama_BEB3F1CD_2A58_30C3_4163_CE0F098E2075.label = Foyer 2
panorama_BCACDA8D_2A58_5343_41A8_D3094A79E43E.label = Foyer 3
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_7.label = Frames, tag7
panorama_BE3AB7C5_2A58_D0C3_41B9_C708661CAF7B.label = Front Porch
panorama_83486055_2A48_2FC3_41AD_CAAA7002851E.label = Garden
panorama_B64FEB38_2A48_5141_417D_4A82DEF47812.label = Hallway
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_8.label = Hohner Harmonica, tag6
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_9.label = House Details, menu
panorama_B65A9482_2A57_F741_4188_61CF321987FC.label = Jessie’s Bathroom
panorama_B9CBBF80_2A58_7141_41B1_AEA693024795.label = Jessie’s Room
panorama_BD02279E_2A58_D141_41A5_F31807D95243.label = Kitchen
panorama_A89FFE53_3597_B3C8_41C3_5CB7C0DDD24D.label = Library
panorama_A744FC8F_3597_9759_4198_CAB60360F715.label = Library 2
panorama_A77C8760_3597_71C7_41BC_7919981E17C9.label = Library 3
panorama_803C821F_9D9E_E72B_41D4_0BFB64F13C53.label = Library 4
panorama_87548F03_9D91_3D1B_41D5_995709F30E49.label = Library 5
panorama_872623B6_9D91_657D_41D0_DBF1314EE869.label = Library 6
panorama_BE293A4B_2A58_53C7_41BB_4120B477B6A4.label = Living Room
panorama_BFA9E5A9_2A5B_D143_41B5_3604B340826E.label = Living Room 2
panorama_BFD12014_2A58_6F41_41A8_CA220AAC41C4.label = Living Room 3
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C.label = Photo Album Blank Canvas, tag4a
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_10.label = Photo of Tom & Rita, tag33
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_11.label = Photo with Truman, tag30
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_12.label = Reading Glasses, tag24
panorama_B66B5C58_2A58_D7C1_41BF_239A31609FC1.label = Rita’s Bathroom
panorama_B9E4DCBD_2A58_3743_4194_5FC86EF8CBBF.label = Rita’s Closet
panorama_B9084926_2A58_D140_4191_678B8E66F538.label = Rita’s Room
panorama_B6114563_2A58_31C0_41B4_95C77E1DCB18.label = Rita’s Room 2
panorama_B64E33E4_2A59_D0C1_41B1_46656E46F549.label = Rita’s Room 3
panorama_B65C662F_2A58_735F_4194_E7933CCF3C67.label = Rita’s Sewing Room
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_13.label = Saturday Night, tag10
panorama_BC042BC2_2A58_F0C1_41AE_A6E3A239EF3E.label = Screened Porch
panorama_81960D9E_2A58_3141_41A8_6E7A51E2933A.label = Sidewalk to Home
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_14.label = Site History, menu
panorama_BC5306D5_2A58_30C3_41A8_4CEC245BE3DA.label = Stairway
panorama_27F0E40A_31DD_5009_41B4_0035DAF626B6.label = Stairway 2
panorama_80581DEC_2A48_50C1_41B5_A8F147B184F2.label = Studio
panorama_80D2E6B6_2A48_F341_41B2_D5CA16D2AA3B.label = Studio 2
panorama_812B00C7_2A48_50CF_41B5_7A791474D866.label = Studio 3
panorama_81010C52_2A48_57C1_41BB_8B215719E2EC.label = Studio 4
panorama_8158F986_2A57_F141_41B6_221468084FFD.label = Studio 5
panorama_81A0C32A_2A58_5141_4181_A9C600B2A7BC.label = Studio 6
panorama_8022ED24_2A49_D141_41C0_A546EAF781E0.label = Studio Entrance
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_15.label = Studio Window, tag1
panorama_BB875277_2A59_D3CF_41AF_E68FFD998A80.label = T. P.’s Room
video_860DE7DB_9D91_2D2B_41D4_1C40CBC0EB16.label = THB_google_earth
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_16.label = Time Mag, tag9
album_2CBC1384_EEEB_09F5_41B6_053F8C8E258C_17.label = Tom's Desk, tag28
panorama_B65DABD6_2A48_30C1_419E_659D924CF140.label = Tom’s Room
panorama_802F7BF4_2A48_50C1_41B3_A2DA25143AD9.label = Walkway
panorama_831DCE5C_2A48_33C1_41B4_761D2E01C9B4.label = Welcome
panorama_6679E3E4_322D_5039_41BF_7DBC6EB826EB.label = Welcome
### Video
videolevel_4A5B62C3_5ED6_43CE_41CE_78BE5AC3E5D2.url = media/video_860DE7DB_9D91_2D2B_41D4_1C40CBC0EB16_en.mp4
videolevel_4A5B62C3_5ED6_43CE_41CE_78BE5AC3E5D2.posterURL = media/video_860DE7DB_9D91_2D2B_41D4_1C40CBC0EB16_poster_en.jpg
## Skin
### Button
Button_AFEBD8BC_86D3_5DE4_41D2_3A3BBD746FD2.label = +(816) 931-5722
Button_AFEBD8BC_86D3_5DE4_41D2_3A3BBD746FD2_mobile.label = +34 666 777 888
Button_CDC566C7_8321_AEB3_41D2_4B835BA97E99_mobile.label = 2 Bathrooms
Button_FDCA3994_83E0_A2D5_41D4_781F69704048.label = 2 Bathrooms
Button_CDC566C7_8321_AEB3_41D2_4B835BA97E99.label = 2 Bathrooms
Button_FDCD2997_83E0_A2D3_41DA_E8E8C8893B9E.label = 2 Parking Space
Button_CDC5F6D1_8321_AEAF_41C4_15F49646B357_mobile.label = 2 Parking Space
Button_CDC5F6D1_8321_AEAF_41C4_15F49646B357.label = 2 Parking Space
Button_CDC596CF_8321_AEB3_41D6_8D1A1AB4CF75.label = 20 sqft Terrace
Button_FDCDA995_83E0_A2D7_41DF_0A55711D0FA2.label = 20 sqft Terrace
Button_CDC596CF_8321_AEB3_41D6_8D1A1AB4CF75_mobile.label = 20 sqft Terrace
Button_FDCAB993_83E0_A2D3_4187_06B4BA41F66C.label = 240 sqft
Button_CDC516C7_8321_AEB3_4193_C960C0084631_mobile.label = 240 sqft
Button_FDCAA993_83E0_A2D3_41C1_450E2F3AF548.label = 3 Bedrooms
Button_CDC546C7_8321_AEB3_41D4_84863D99D386_mobile.label = 3 Bedrooms
Button_CDC546C7_8321_AEB3_41D4_84863D99D386.label = 3 Bedrooms
Button_9450CF42_AB92_C488_41DE_D2628EFE7F9F.label = 3616 Belleview Ave.,
Button_ADDE5FC6_86F3_73A4_41B9_5CA53487297F.label = 3616 Belleview Ave., Kansas City, Missouri 64111
Button_82FD00CF_D06F_BCD6_41E3_256066738334_mobile.label = AERIAL VIEWS
Button_8388BD96_D06F_8549_41C3_49EDE978734D.label = AERIAL VIEWS
Button_66E97E91_7D59_AB84_41BF_5463FA4AC443_mobile.label = AERIAL VIEWS
Button_66E97E91_7D59_AB84_41BF_5463FA4AC443.label = AERIAL VIEWS
Button_90A4CFF6_877C_EB44_41D2_F31CB7E02AFB.label = AUDIO
Button_90A4CFF6_877C_EB44_41D2_F31CB7E02AFB_mobile.label = AUDIO
Button_82FF00E5_D06F_BCCB_41E0_F2EBC7CE84B6_mobile.label = AUDIO
Button_838B3DAE_D06F_8559_41CB_8355B65A44CD.label = AUDIO
Button_ADDE5FC6_86F3_73A4_41B9_5CA53487297F_mobile.label = Address lorem ipsum, xx, dolor sit amet
Button_CDC4B6D1_8321_AEAF_41D4_9664E0CD7124.label = Air Conditioner
Button_CDC4B6D1_8321_AEAF_41D4_9664E0CD7124_mobile.label = Air Conditioner
Button_FDCD899A_83E0_A2DD_41C2_56C4433852CE.label = Air Conditioner
Button_CDC516C7_8321_AEB3_4193_C960C0084631.label = Approx. 7800 sqft
Button_94532F41_AB92_C488_41BA_F88EFC71EF97.label = Benton.home.state.historic.site@dnr.mo.gov
Button_AC01BD88_86F2_F7AD_41DF_1A58ABD2BA7D.label = Benton.home.state.historic.site@dnr.mo.gov
Button_9DE33FD7_B7E9_B31E_41E4_F8F8CB38778E.label = Bothwell Lodge
Button_838A7DD5_D06F_84CB_41E4_480B9E5FF667.label = CLOSE MENU
Button_63F387D4_7D49_B98C_41DE_931C3C70AE26_mobile.label = CLOSE MENU
Button_90A55FFC_877C_EB44_41B4_9CFC05953197_mobile.label = CLOSE MENU
Button_838ABDB5_D06F_854B_419F_C1410BD133A3.label = CLOSE MENU
Button_63F387D4_7D49_B98C_41DE_931C3C70AE26.label = CLOSE MENU
Button_82FCD0D2_D06F_BCCE_41C3_7B84C3917494_mobile.label = CLOSE MENU
Button_90A55FFC_877C_EB44_41B4_9CFC05953197.label = CLOSE MENU
Button_82E021D0_D06F_BCCA_41E2_D765E8DCBB0E_mobile.label = CLOSE MENU
Button_C085DEDD_86E4_AD45_41D3_A6FBB352D990.label = COMMUNITY SPACES
Button_C085DEDD_86E4_AD45_41D3_A6FBB352D990_mobile.label = COMMUNITY SPACES
Button_9DEC0FE0_B7E9_B332_41E2_C8509D262FC9.label = COMMUNITY SPACES
Button_61098041_7D59_9684_41D1_C4346757AA63_mobile.label = COMPANY WEB
Button_8388BD86_D06F_8549_41E5_A2F82CA2C3B2.label = COMPANY WEB
Button_61098041_7D59_9684_41D1_C4346757AA63.label = COMPANY WEB
Button_82FE010F_D06F_BD57_41D6_A244F1D17B2B_mobile.label = COMPANY WEB
Button_838BCD92_D06F_8549_41E1_5A1EC71EDE38.label = CONTACT
Button_82FEC0EF_D06F_BCD7_41E5_3AC8A4B57691_mobile.label = CONTACT
Button_6136011A_7D59_9684_41BA_AA227EB4FADB.label = CONTACT
Button_6136011A_7D59_9684_41BA_AA227EB4FADB_mobile.label = CONTACT
Button_B7222FEE_86B3_5364_41CF_0779F825C112.label = CONTACT US
Button_94531F4A_AB92_C498_41DF_141C70883C47.label = CONTACT US
Button_B7222FEE_86B3_5364_41CF_0779F825C112_mobile.label = CONTACT US
Button_FDCDE995_83E0_A2D7_41C3_4BCA2F81B08E.label = Dressing Room
Button_CDC5C6CF_8321_AEB3_41D0_2A64A6D8E695.label = Dressing Room
Button_CDC5C6CF_8321_AEB3_41D0_2A64A6D8E695_mobile.label = Dressing Room
Button_90A50FF6_877C_EB44_41CC_3CCA9085D666_mobile.label = ENTER VR MODE
Button_82FCB0D3_D06F_BCCE_41AF_12317339B98F_mobile.label = ENTER VR MODE
Button_83882DA4_D06F_8549_41DA_D85977B039BF.label = ENTER VR MODE
Button_90A50FF6_877C_EB44_41CC_3CCA9085D666.label = ENTER VR MODE
Button_C0982EA0_86E4_ADFB_41C7_175288384A92.label = ENTRANCE
Button_C0982EA0_86E4_ADFB_41C7_175288384A92_mobile.label = ENTRANCE
Button_CDC416D1_8321_AEAF_41DD_018C5175684E_mobile.label = Elevator
Button_FDCD7997_83E0_A2D3_41D8_096D573291C8.label = Elevator
Button_CDC416D1_8321_AEAF_41DD_018C5175684E.label = Elevator
Button_66FA1D8B_7D59_A99B_41D3_ADBC57641116_mobile.label = FLOORPLAN
Button_82FFE0F3_D06F_BCCE_41B3_7E25CEE2BA08_mobile.label = FLOORPLAN
Button_66FA1D8B_7D59_A99B_41D3_ADBC57641116.label = FLOORPLAN
Button_8389ED79_D06F_85BB_41E5_7118418ACDE6.label = FLOORPLAN
Button_90A4FFF6_877C_EB44_41D2_17F7E6BEAB0B.label = FULLSCREEN
Button_838B2DB0_D06F_8549_41E5_191E4B97A8B1.label = FULLSCREEN
Button_90A4FFF6_877C_EB44_41D2_17F7E6BEAB0B_mobile.label = FULLSCREEN
Button_82FEF0E7_D06F_BCD7_41E3_5789BB92F6CF_mobile.label = FULLSCREEN
Button_CDC5E6CF_8321_AEB3_41CF_535CCB038C45_mobile.label = Fireplace
Button_CDC5E6CF_8321_AEB3_41CF_535CCB038C45.label = Fireplace
Button_FDCD3996_83E0_A2D5_41D8_9CFC3398E464.label = Fireplace
Button_C082FEDB_86E4_AD4D_41D9_2F38C22C64AA_mobile.label = GARDEN
Button_C082FEDB_86E4_AD4D_41D9_2F38C22C64AA.label = GARDEN
Button_C0821ED8_86E4_AD4B_41AB_311A04EEF24D_mobile.label = GUEST ROOMS
Button_C0821ED8_86E4_AD4B_41AB_311A04EEF24D.label = GUEST ROOMS
Button_90A4AFF6_877C_EB44_41DA_54B947E7721D_mobile.label = GYROSCOPE
Button_82FC60D4_D06F_BCCA_41CF_692532C6C10B_mobile.label = GYROSCOPE
Button_90A4AFF6_877C_EB44_41DA_54B947E7721D.label = GYROSCOPE
Button_838B9DA6_D06F_8549_41A3_20574CDBC87E.label = GYROSCOPE
Button_1FC56C9E_032D_DB12_4179_D2AD2DDB0DFC.label = HELP
Button_8387ED6F_D06F_85D7_41E3_F0CD459DC05F.label = HOME
Button_82FF20E3_D06F_BCCF_41B3_722E18AA1BAD_mobile.label = HOTSPOTS VISIBILITY
Button_90A4DFF6_877C_EB44_41CA_B24587A31FAA.label = HOTSPOTS VISIBILITY
Button_90A4DFF6_877C_EB44_41CA_B24587A31FAA_mobile.label = HOTSPOTS VISIBILITY
Button_838B6DB2_D06F_8549_41B6_0E0942EB9F15.label = HOTSPOTS VISIBILITY
Button_66C2029E_7D49_BBBC_41C6_531A84E60E82.label = HOUSE DETAILS
Button_66C2029E_7D49_BBBC_41C6_531A84E60E82_mobile.label = HOUSE DETAILS
Button_82E09148_D06F_BDD9_41E3_5FE26ADAA42E_mobile.label = HOUSE DETAILS
Button_CDDB26D1_8321_AEAF_41B9_290FA00AD8E5_mobile.label = Hair Dryer
Button_FDCD399D_83E0_A2D7_41C5_CC6CF0FB52D9.label = Hair Dryer
Button_CDDB26D1_8321_AEAF_41B9_290FA00AD8E5.label = Hair Dryer
Button_9DEC2FD0_B7E9_B312_41D6_9E4F1B7F4852.label = Hall
Button_C0839ED3_86E4_AD5D_41C8_13D18E0A860C_mobile.label = Hall
Button_C0839ED3_86E4_AD5D_41C8_13D18E0A860C.label = Hall
Button_C083FED4_86E4_AD5B_41B7_0C4A0E9028AB_mobile.label = Hallway
Button_C083FED4_86E4_AD5B_41B7_0C4A0E9028AB.label = Hallway
Button_9DEC6FD1_B7E9_B312_41A1_9733EAD3BF4C.label = Hallway
Button_C083BED5_86E4_AD45_41D4_EAFC0E32771A_mobile.label = Hallway View 2
Button_9DEC1FD2_B7E9_B316_41D1_1283193DECB2.label = Hallway View 2
Button_C083BED5_86E4_AD45_41D4_EAFC0E32771A.label = Hallway View 2
Button_9DE39FDA_B7E9_B316_41C8_578EDA42A26F.label = Harry Truman Birthplace
Button_CDC4D6D1_8321_AEAF_41A4_43EA81C04D43_mobile.label = Heating
Button_CDC4D6D1_8321_AEAF_41A4_43EA81C04D43.label = Heating
Button_FDCDD99B_83E0_A2D3_41D5_A2B2692A507D.label = Heating
Button_CDC4F6D1_8321_AEAF_41C6_5236555F5AC8_mobile.label = Iron
Button_CDC4F6D1_8321_AEAF_41C6_5236555F5AC8.label = Iron
Button_FDCD199C_83E0_A2D5_41DA_055ABCA29427.label = Iron
Button_004FE384_01E3_E681_4150_47ADCA9A45C8.label = Kansas City, Missouri 64111, U.S.
Button_FDCDB994_83E0_A2D5_41C2_B9E62F3E3E6F.label = Kitchen Island
Button_CDC5A6C7_8321_AEB3_41DB_122944826465_mobile.label = Kitchen Island
Button_CDC5A6C7_8321_AEB3_41DB_122944826465.label = Kitchen Island
Button_6116CF5D_7D59_AABC_4197_827282C216A8.label = LOCATION
Button_6116CF5D_7D59_AABC_4197_827282C216A8_mobile.label = LOCATION
Button_83864D74_D06F_85C9_41D8_A97196105AA3.label = LOCATION
Button_82FF10FD_D06F_BCBA_4189_E81D3BEB39DD_mobile.label = LOCATION
Button_C0830ED1_86E4_AD5D_41DC_6CC163279247.label = Lobby
Button_C0830ED1_86E4_AD5D_41DC_6CC163279247_mobile.label = Lobby
Button_9DEDCFCD_B7E9_B372_41BC_5DC4F4474E5D.label = Lobby
Button_9DEC0FCE_B7E9_B30E_41C3_1EC4D41E63FC.label = Lobby View 2
Button_C083DED2_86E4_AD5F_41D6_11C12D728DF1.label = Lobby View 2
Button_C083DED2_86E4_AD5F_41D6_11C12D728DF1_mobile.label = Lobby View 2
Button_C09EFEA6_86E4_ADC7_41D1_79FDD1EB5CBB.label = Lorem Ipsum
Button_C09ECEA4_86E4_ADFB_41D2_02A4C56FA705.label = Lorem Ipsum
Button_C09E9EA5_86E4_ADC5_41D2_40D42031B4AA.label = Lorem Ipsum
Button_C09EDEA3_86E4_ADFD_41D2_32D8B1C75A95.label = Lorem Ipsum
Button_C098BEA1_86E4_ADFD_41E0_A775E9B8BA8F.label = Lorem Ipsum
Button_C081DEB7_86E4_ADC5_41C8_5BAA64F3F3A0.label = Lorem Ipsum
Button_C09E1EA2_86E4_ADFF_41B4_75F758D279AE.label = Lorem Ipsum
Button_C0811EB5_86E4_ADC5_41B3_5A3B982674FC.label = Lorem Ipsum
Button_C0815EB4_86E4_ADDB_41CF_06B21BB7D687.label = Lorem Ipsum
Button_C0816EB6_86E4_ADC7_41CF_095B01ED79A1.label = Lorem Ipsum
Button_C09EAEA8_86E4_ADCB_41DA_66D3D940FF37.label = Lorem Ipsum
Button_C0804EC8_86E4_AD4B_41D5_48C786A018E7.label = Lorem Ipsum
Button_C0807ECA_86E4_AD4F_41D3_DB29E01A3EA6.label = Lorem Ipsum
Button_C080FECD_86E4_AD44_41D4_B786ECE77695.label = Lorem Ipsum
Button_C0815EA7_86E4_ADC5_41D2_FCA2DA913ED9.label = Lorem Ipsum
Button_C0807EB0_86E4_ADDB_41D1_5860D932489D.label = Lorem Ipsum
Button_C0813EAB_86E4_ADCD_41DA_AF6F05CA7125.label = Lorem Ipsum
Button_C0816EAA_86E4_ADCF_41DB_30754A244CC2.label = Lorem Ipsum
Button_C0811EA9_86E4_ADCD_41DA_06399EED32C3.label = Lorem Ipsum
Button_C0808ECD_86E4_AD45_41C0_194348BEE17D.label = Lorem Ipsum
Button_C0813EB8_86E4_ADCB_41D6_A92A1F21B332.label = Lorem Ipsum
Button_C0803ECC_86E4_AD4B_41CD_01EDC483B701.label = Lorem Ipsum
Button_C083DEC7_86E4_AD45_41E0_EEC0312D4C51.label = Lorem Ipsum
Button_C0800EBF_86E4_ADC5_41D4_830DDA4AB271.label = Lorem Ipsum
Button_C0806EBC_86E4_ADCB_41D1_E625BB896922.label = Lorem Ipsum
Button_C081FEB9_86E4_ADCD_41B8_83DC61AF0E2C.label = Lorem Ipsum
Button_C0807EAF_86E4_ADC5_41DA_DA7CFE431598.label = Lorem Ipsum
Button_C0803EC9_86E4_AD4D_41C4_7FDCAF3E4444.label = Lorem Ipsum
Button_C080FEB3_86E4_ADDD_41B1_87D544FA29DD.label = Lorem Ipsum
Button_C080DEC0_86E4_ADBB_41C6_EDB9DEB2C302.label = Lorem Ipsum
Button_C0819EBB_86E4_ADCD_41D1_7894B3264802.label = Lorem Ipsum
Button_C0836EC6_86E4_AD47_41CC_F2155A13BC26.label = Lorem Ipsum
Button_C080DEC1_86E4_ADBD_41BD_30737E4D83AE.label = Lorem Ipsum
Button_9DEE9FA0_B7E9_B332_41D4_BD3544B8C5A9.label = Lorem Ipsum
Button_C0802EB2_86E4_ADDF_41DD_319F55C88820.label = Lorem Ipsum
Button_9DED0FA2_B7E9_B336_41E3_AD81D5AEB3D8.label = Lorem Ipsum
Button_C080CEB1_86E4_ADDD_41DB_4C03D2D77EF3.label = Lorem Ipsum
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Button_C0804EBD_86E4_ADC5_41D3_CB75AB2B12D3.label = Lorem Ipsum
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Button_82FF50FA_D06F_BCBE_41E4_4595CE3055AD_mobile.label = PHOTOALBUM
Button_66C27B52_7D59_AA84_41C1_88795C5CD6E7.label = PHOTOALBUM
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Button_FDCA4999_83E0_A2DF_41DD_931A5608A4E3.label = Private Gym
Button_CDC486D1_8321_AEAF_41D2_DFEF24E586F1.label = Private Gym
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Button_C0824ED6_86E4_AD47_41D7_D78F8822E981_mobile.label = ROOMS
Button_612A9759_7D59_9A84_41CE_AFE8CE6D7048.label = SETTINGS
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Button_82FCD0D1_D06F_BCCA_41E0_0A95C5DD87BA_mobile.label = SETTINGS
Button_612A9759_7D59_9A84_41CE_AFE8CE6D7048_mobile.label = SETTINGS
Button_83866D77_D06F_85B7_41E5_C536B7C39CA8.label = SIMILAR SITES
Button_1EE9F445_0322_6B76_4172_CA03220476EB.label = SITE HISTORY
Button_82FC60D3_D06F_BCCE_4168_A986CA3EB836_mobile.label = STICKER VISIBILITY
Button_90A52FF6_877C_EB44_41C8_DB7D8C9BB923.label = STICKER VISIBILITY
Button_90A52FF6_877C_EB44_41C8_DB7D8C9BB923_mobile.label = STICKER VISIBILITY
Button_838B9DA5_D06F_854B_4189_B3575197C2FB.label = STICKER VISIBILITY
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Button_CDC436D1_8321_AEAF_41DF_9A996ACBE972_mobile.label = Swimming Pool
Button_C0823EDA_86E4_AD4F_41CB_95D7ACEE614A_mobile.label = TERRACE
Button_C0823EDA_86E4_AD4F_41CB_95D7ACEE614A.label = TERRACE
Button_82E16120_D06F_BD49_41E8_902AB6CE29D2_mobile.label = THUMBNAILS
Button_615B321B_7D57_BABB_41DA_381EF4F07884_mobile.label = THUMBNAILS
Button_83860D72_D06F_85C9_41D5_B17030029E83.label = THUMBNAILS
Button_615B321B_7D57_BABB_41DA_381EF4F07884.label = THUMBNAILS
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Button_82E1112C_D06F_BD59_41E2_E310C33B2174_mobile.label = TOUR INFO
Button_67B206DE_7D49_FBBC_41CE_9A0723B371FC.label = TOUR INFO
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Button_CDC4A6D1_8321_AEAF_41D5_C8A6F846E198.label = TV LED (46")
Button_FDCA799A_83E0_A2DD_41D6_C52D75E79CB1.label = TV LED (46")
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Button_CDC456D1_8321_AEAF_41D7_95C90C76315B.label = Tennis Court
Button_FDCA1999_83E0_A2DF_41BF_2C9507DDFE43.label = Tennis Court
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Button_66CEEC9D_7D59_AFBC_41DD_7CCF78363C11_mobile.label = VIDEO
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Button_CDDB06D1_8321_AEAF_419E_350E84584B08.label = Wifi
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Button_A886297A_86DE_DF6C_41A3_81E25BA0C794.label = instagram.com/loremipsum
Button_94520F47_AB92_C488_41E1_EAFFF0DA493B.label = instagram.com/loremipsum
Button_A886297A_86DE_DF6C_41A3_81E25BA0C794_mobile.label = instagram.com/loremipsum
Button_A8F5D726_86DE_D4E5_41B4_C6C5FC651DD8.label = linkedin.com/loremipsum
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Button_A8F5D726_86DE_D4E5_41B4_C6C5FC651DD8_mobile.label = linkedin.com/loremipsum
Button_AC01BD88_86F2_F7AD_41DF_1A58ABD2BA7D_mobile.label = loremipsum@company.com
Button_94519F48_AB92_C498_41D9_7A92502D3017.label = pinterest.com/loremipsum
Button_A886EBF7_86DE_D364_41DC_BD9BE723B3B6.label = pinterest.com/loremipsum
Button_A886EBF7_86DE_D364_41DC_BD9BE723B3B6_mobile.label = pinterest.com/loremipsum
Button_94508F45_AB92_C488_41E4_ACF39080C7D0.label = twitter.com/loremipsum
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Button_B6AE754C_86DE_D4A4_4164_347BD307E431.label = twitter.com/loremipsum
### Image
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Image_251DEC16_8120_A1D5_41D6_A57713B706A2_mobile.url = skin/Image_251DEC16_8120_A1D5_41D6_A57713B706A2_mobile_en.png
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Image_2AF59725_8120_AFF7_41DE_E1B2C0534D08_mobile.url = skin/Image_2AF59725_8120_AFF7_41DE_E1B2C0534D08_mobile_en.png
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Basement Door
An unusual triangular shape, the basement door was designed this way to prevent it from scraping the underside of the staircase, which runs from the 1st to the 2nd floor. The Benton Home has a fully finished basement, with 8’ ceilings and hardwood floors. Rita had the walls covered with pegboard to display additional artwork for sale, had a hallway converted into a fireproof storage vault, used a portion of the space as a framing workshop, and it is also where the family had their Ping-Pong table. Now, the basement is used as the historic site office and archives room.
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Puerta del sótano
La puerta del sótano, con una forma triangular poco habitual, se diseñó así para evitar que rozara la parte inferior de la escalera, que va del primer al segundo piso. La Casa Benton tiene un sótano totalmente terminado, con techos que miden 8 pies y suelos de madera. Rita hizo cubrir las paredes con tableros de madera perforados para exponer obras de arte adicionales para la venta, convirtió un pasillo en una bóveda de almacenamiento a prueba de incendios, utilizó una parte del espacio como taller de enmarcación y también es donde la familia tenía su mesa de ping-pong. Ahora, el sótano se utiliza como oficina del sitio histórico y sala de archivos.
Fireplace
The free-standing fireplace and chimney in the foyer is certainly eye-catching. The large staircase to the second floor wraps around it and the eye is naturally drawn upward. This house has a surprisingly open floor plan for being built in 1903; this central fireplace would help heat the interior of the home as well as be a welcoming feature.
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Chimenea
La chimenea independiente en el vestíbulo es ciertamente llamativa. La gran escalera que lleva al segundo piso la envuelve y la mirada se dirige naturalmente hacia arriba. Esta casa tiene una planta sorprendentemente abierta para haber sido construida en 1903; esta chimenea central ayudaba a calentar el interior de la casa, además de ser una característica acogedora.
Jessie’s Room
The Bentons moved into this house in 1939, the year their daughter Jessie was born. This was truly her childhood home, whereas her brother was nearly 13 when they bought the house and he only spent his teenage years here. Maybe that’s why Jessie had this nice spacious room all to herself? After Jessie got married and moved out, it was used as a guest bedroom.
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Dormitorio de Jessie
Los Benton se mudaron a esta casa en 1939, el año en que nació su hija Jessie. Ésta fue realmente la casa de su infancia, mientras que su hermano tenía casi 13 años cuando compraron la casa y sólo pasó aquí su adolescencia. ¿Quizás por eso Jessie tenía esta bonita y espaciosa habitación para ella sola? Luego de que Jessie se casara y se mudara, se utilizó como dormitorio de invitados.
Classroom Drawing Under the Instruction of Peixotto, 1907
Pen and Ink on Paper
Thomas Hart Benton came from a family of politicians. He was named after his famous great-great uncle who was one of the first senators elected by the State of Missouri. Senator Benton was in office for 30 years, and was a very prominent figure in pre-Civil War politics. Tom’s own father, Maecenas Eason Benton, was elected to the U.S. House of Representatives for four terms. Much to M.E.’s chagrin, Tom was interested in art from a young age, and in 1907 he was finally allowed to attend the Art Institute of Chicago. He made this early classroom study there and gifted it to a classmate. It is a much different style than Tom’s later drawings, but you can see he already had some talent and was very influenced by his instructors, such as Ernest Peixotto. Source: On loan from the Craig family
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Classroom Drawing Under the Instruction of Peixotto (Dibujo en el aula bajo la instrucción de Peixotto), 1907, Pluma y tinta sobre papel
Thomas Hart Benton provenía de una familia de políticos. Recibió el nombre de su famoso tío abuelo, que fue uno de los primeros senadores elegidos por el Estado de Missouri. El senador Benton estuvo en el cargo durante 30 años y fue una figura muy destacada en la política anterior a la Guerra Civil. El propio padre de Tom, Maecenas Eason Benton, fue elegido miembro de la Cámara de Representantes de los Estados Unidos durante cuatro mandatos. Para disgusto de su padre, Tom se interesó por el arte desde muy joven, y en 1907 se le permitió finalmente asistir al Instituto de Arte de Chicago. Hizo allí este primer dibujo en clase y se lo regaló a un compañero. Es un estilo muy diferente al de los dibujos posteriores de Tom, pero se ve que ya tenía cierto talento y que estaba muy influenciado por sus instructores, tal como Ernest Peixotto. posteriores de Tom, pero se ve que ya tenía cierto talento y que estaba muy influenciado por sus instructores, tal como Ernest Peixotto.
Decorated Tablecloth, 1911
Oil on Satin
This painted satin tablecloth was made for Tom’s mother, Elizabeth Wise Benton. He had recently returned from studying in Paris and you can see the influence those years had on his artistic style. He experimented with many schools of art, such as Impressionism, Pointillism and Cubism. Tom jokingly said later that he tried “every cock-eyed ‘ism’ there was in art.” This abstract design featuring lighter blues and pinks with a Matisse influence looks nothing like the “Regionalist” art Benton became known for later in his career.
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Decorated Tablecloth (Mantel decorado), 1911, óleo sobre satén
Este mantel de satén pintado se hizo para la madre de Tom, Elizabeth Wise Benton. Acababa de volver de estudiar en París y se puede ver la influencia que tuvieron esos años en su estilo artístico. Experimentó con muchas corrientes artísticas, tales como el impresionismo, el puntillismo y el cubismo. Tom dijo en broma más tarde que probó “todos los ‘ismos’ que había en el arte”. Este diseño abstracto con azules y rosas más claros, con influencia de Matisse, no se parece en nada al arte “regionalista” por el que Benton se hizo conocido más adelante en su carrera.
Embroidered Landscape, ca. 1925-1950
This textile was designed by Tom and embroidered in silk by his mother, Elizabeth Wise Benton. Her initials are sewn in the lower-right corner. It is likely a scene from Martha’s Vineyard. Tom and Rita went to the Vineyard nearly every summer for more than 50 years, and Elizabeth also spent many years living on the island.
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Embroidered Landscape (Paisaje bordado), aproximadamente entre 1925 y 1950
Esta obra textil fue diseñada por Tom y bordada en seda por su madre, Elizabeth Wise Benton. Sus iniciales están cosidas en la esquina inferior derecha. Es probable que sea una escena de Martha’s Vineyard. Tom y Rita fueron a Vineyard casi todos los veranos durante más de 50 años, y Elizabeth también pasó muchos años viviendo en la isla.
Still Life, ca. 1913
Oil on Canvas
This Benton still life was painted during his first years in New York when he was struggling to find himself as an artist. You can see Benton was heavily influenced by his years in Paris in this Cezanne-esque still life. This painting was then given to his dentist, Dr. Moritz Jagendorf, probably in lieu of payment. Source: On loan from Private Collector
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Still Life (Naturaleza muerta), alrededor de 1913, óleo sobre lienzo
Esta naturaleza muerta de Benton fue pintada durante sus primeros años en Nueva York, cuando luchaba por encontrarse a sí mismo como artista. Se puede ver que Benton estuvo muy influenciado por sus años en París en esta obra de estilo Cézanne. Este cuadro fue entregado a su dentista, el Dr. Moritz Jagendorf, probablemente a modo de pago.
Study for Cave Spring, 1962
Oil and Tempera on Masonite
This verdant scene features a popular stopping point on the Current River in southern Missouri. Nearly every year, Benton took a canoe trip with friends down different Ozark rivers, with his two favorites being the Current and the Buffalo. Source: On loan from Private Collector
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Study for Cave Spring (Obra para Cave Spring), 1962, óleo y témpera sobre masonita
Esta escena verde muestra un popular punto de parada en el río Current, en el sur de Missouri. Casi todos los años, Benton hacía un viaje en canoa con amigos por diferentes ríos de Ozark, siendo sus dos favoritos el Current y el Buffalo.
Ten-Pound Hammer Maquette,
1965
Benton would create maquettes [3-D models] before painting on a canvas. These models, typically made out of clay or plastilene wax, helped Benton to get the highlights, shadows, depth and perspective he needed to paint his scene. This is certainly not a typical step for most painters, but Tom found it incredibly useful and beneficial. Sadly, he just considered these a means to an end, so very few maquettes survive, but we are fortunate to have several examples to show visitors in Benton’s studio.
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Ten-Pound Hammer Maquette (Maqueta del martillo de diez libras), 1965
Benton creaba maquetas [modelos tridimensionales] antes de pintar sobre un lienzo. Estos modelos, normalmente hechos de arcilla o cera de plastilina, ayudaban a Benton a conseguir las luces, las sombras, la profundidad y la perspectiva que necesitaba para pintar su escena. Ciertamente, éste no es un paso típico para la mayoría de los pintores, pero Tom lo encontró increíblemente útil y beneficioso. Lamentablemente, él sólo las consideraba un medio para alcanzar un fin, por lo que sobreviven muy pocas maquetas, pero tenemos la suerte de contar con varios ejemplos para mostrar a los visitantes en el estudio de Benton.
Time Magazine, Dec. 24, 1934
The cover of this issue features Benton’s 1926 Self-Portrait. By the mid-1930s, Benton and other leading Regionalist painters, John Steuart Curry (Kansas) and Grant Wood (Iowa), were becoming wildly popular. Tom completed three murals from 1930-33, the last of which was shown at the 1933 Chicago World’s Fair where thousands of people viewed it. Not long after this issue of Time was published, Tom was offered two jobs back in his home state of Missouri. He became the head of the painting department at the Kansas City Art Institute and received a commission to do a large mural in the Missouri State Capitol.
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Revista Time, 24 de diciembre de 1934
En la portada de este número aparece la obra de Benton de 1926 Self-Portrait (Autorretrato). A mediados de la década de 1930, Benton y otros destacados pintores regionalistas, John Steuart Curry (Kansas) y Grant Wood (Iowa), se estaban haciendo muy populares. Tom realizó tres murales entre 1930 y 1933, el último de los cuales se expuso en la Feria Mundial de Chicago en 1933, donde lo vieron miles de personas. Poco después de que este número de Time se publicara, a Tom le ofrecieron dos puestos de trabajo en su estado natal, Missouri. Se convirtió en jefe del departamento de pintura del Instituto de Arte de Kansas City y recibió el encargo de realizar un gran mural en el Capitolio del Estado de Missouri.
Art Books
Benton was both well-versed in modern art techniques and extremely knowledgeable about art history. What’s truly impressive is the wide range of topics; on his shelves you can see books about Japanese porcelain, rural Wisconsin painters, Native American art, many Renaissance artists and various gallery catalogs. He also kept an eye on his former student, Jackson Pollock, as seen from a few books about his art.
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Libros de arte
Benton estaba bien versado en las técnicas del arte moderno y era un gran conocedor de la historia del arte. Lo que es realmente impresionante es la amplia gama de temas; en sus estanterías puedes ver libros sobre porcelana japonesa, pintores rurales de Wisconsin, arte de los nativos americanos, muchos artistas del Renacimiento y varios catálogos de galerías. También estuvo pendiente de su antiguo estudiante, Jackson Pollock, como se ve en algunos libros sobre su arte.
Blank Canvas
Tom Benton died in this studio January 19, 1975 when he came out to sign his mural Sources of Country Music. Here is a blank canvas left in his studio at that time, ready for Benton’s next project.
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Lienzo en blanco
Tom Benton murió en este estudio el 19 de enero de 1975 cuando salió a firmar su mural Sources of Country Music (Fuentes de la música country). He aquí un lienzo en blanco que quedó en su estudio en ese momento, listo para el siguiente proyecto de Benton.
Books
Benton was a voracious reader and looking around the library you can see his diverse interests. He particularly loved American history and often incorporated it into his art, such as his first mural series called American Historical Epic. There are also philosophy books, Simone de Beauvoir’s classic feminist treatise The Second Sex, Twain’s The Innocents Abroad (one of his favorite authors), James Bond and James Michener novels (Michener and his wife collected Benton art), books on folklore, religion, Reader’s Digest Condensed and hundreds of National Geographic magazines.
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Libros
Benton era un lector voraz y al mirar su biblioteca se pueden ver sus intereses diversos. Le gustaba especialmente la historia americana y a menudo la incorporaba a su arte, como su primera serie de murales llamada American Historical Epic (Epopeya histórica americana). También hay libros de filosofía: el clásico tratado feminista de Simone de Beauvoir El segundo sexo, Guía para viajeros inocentes, de Twain (uno de sus autores favoritos), novelas de James Bond y James Michener (Michener y su mujer coleccionaban arte de Benton), libros sobre folclore, religión, la Reader's Digest Condensed y cientos de revistas de National Geographic.
Dining Table
The Bentons had a very lively home; Rita was known as a gracious host and Tom loved an audience for his stories. Many evenings, a group of friends, neighbors, fellow artists and Tom’s students, would gather around for a hearty meal, drinks and interesting conversation.
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Mesa de comedor
Los Benton tenían un hogar muy animado; Rita tenía fama de ser una anfitriona grandiosa y a Tom le encantaba tener público para sus historias. Muchas noches, un grupo de amigos, vecinos, compañeros artistas y estudiantes de Tom, se reunían para disfrutar de una buena comida, bebidas y una conversación interesante.
Drink Bar
For some scholars, Tom has had the reputation as a heavy drinker. However, he was usually just a social drinker. After a long day in the studio, he would come in and have some bourbon, martinis or wine with whomever was around for the cocktail hour. On occasion though, he could really tie one on and let his strong opinions get the best of him.
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Bar
Para algunos estudiosos, Tom ha tenido la reputación de ser un bebedor empedernido. Sin embargo, normalmente sólo era un bebedor social. Luego de un largo día en el estudio, entraba y se tomaba un poco de bourbon, martinis o vino quienquiera que estuviera presente en la hora del cóctel. Sin embargo, en ocasiones, podía tomar bastante y dejar que sus fuertes opiniones se llevaran lo mejor de él.
Family Furniture
Look around and notice that many pieces of furniture are a little shabby and all of the pieces in the living room have slipcovers on them. Tom and Rita had gone through many “starving artist” years together before Tom became financially successful, and then the Great Depression. They often reused and repurposed items, and since Rita was an excellent seamstress, she could spruce things up by making slipcovers for old furniture and curtains for the windows. She once said that, “We weren’t poor. We just had no money.”
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Mobiliario familiar
Mira a tu alrededor y observarás que muchos muebles están un poco deteriorados y que todas las piezas del salón tienen fundas. Tom y Rita habían pasado juntos muchos años de “artista famélico” antes de que Tom tuviera éxito económico, y luego vino la Gran Depresión. A menudo reutilizaban y reciclaban objetos, y como Rita era una excelente costurera, podía arreglar las cosas haciendo fundas para los muebles viejos y cortinas para las ventanas. Una vez ella dijo: “No éramos pobres. Simplemente no teníamos dinero”.
Family Photo, ca.1941
This lovely picture of the whole Benton family was taken out on the garden steps of their Belleview home. Tom, Rita, son T.P., daughter Jessie. Even their dog, Jake, looks like he’s smiling!
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Foto familiar, alrededor de 1941
Esta linda foto de toda la familia Benton se tomó en las escaleras del jardín de su casa de Belleview. Tom, Rita, su hijo T.P., su hija Jessie. ¡Incluso su perro, Jake, parece estar sonriendo!
Frames
Rita Benton acted as her husband’s business manager, often selling Tom’s art directly from their home. She made some of the frames herself and sometimes carved and gilded them. They also acquired frames from other sources.
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Marcos
Rita Benton actuó como administradora del negocio de su marido, y a menudo vendía el arte de Tom directamente desde su casa. Ella misma hizo algunos de los marcos y a veces los tallaba y doraba. También adquirieron marcos de otros sitios.
Mule Jawbone
This is likely something Benton found on one of his many sketching trips around the country. He painted numerous outdoor scenes during his career, often featuring rural laborers. This jawbone actually appeared in Benton’s 1961 mural Independence and the Opening of the West at the Harry S. Truman Presidential Library. It represents the hardships and arid conditions of the Santa Fe Trail.
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Mandíbula de mula
Es probable que esto sea algo que Benton encontró en uno de sus muchos viajes artísticos por el país. A lo largo de su carrera pintó numerosas escenas al aire libre, a menudo protagonizadas por trabajadores rurales. Esta mandíbula apareció en realidad en el mural de Benton de 1961 Independence and the Opening of the West (La independencia y la apertura del oeste) en la Biblioteca Presidencial Harry S. Truman. Representa las dificultades y las condiciones de aridez del Camino de Santa Fe.
National Institute of Arts and Letters certificate (later the American Academy of Arts), 1942
Throughout his career, Benton was widely recognized for his artistic talents. He received many awards and accolades, some from as far away as Argentina and Italy. He was inducted into the NIAL in 1942; a prestigious honor society of 250 leading American artists, writers and composers. Members are elected for life, although Benton temporarily resigned his 1962 AAA membership three years later over an argument about the Vietnam War.
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Certificado del Instituto Nacional de Artes y Letras (más tarde Academia Estadounidense de las Artes), 1942
A lo largo de su carrera, Benton fue ampliamente reconocido por su talento artístico. Recibió muchos premios y reconocimientos, algunos de ellos de países tan lejanos como Argentina e Italia. En 1942 ingresó en la NIAL, una prestigiosa sociedad de honor formada por 250 destacados artistas, escritores y compositores estadounidenses. Los integrantes son elegidos de por vida, aunque Benton renunció temporalmente a su afiliación AAA 1962, tres años después, por una discusión sobre la guerra de Vietnam.
Oriental
Rugs
A few of the rugs at the Benton home are massive, hand-knotted pieces with smaller rugs and runners in between. There is a wide variety of styles: Turkish, Persian, Russian and Chinese are all apparent. Some came with the home when the Bentons moved in and pieces of art were traded for others. Most are worn and faded, but Rita took great pride in them.
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Alfombras orientales
Algunas de las alfombras de la casa Benton son enormes piezas tejidas a mano, con alfombras más pequeñas y alfombras de pasillo. Hay una gran variedad de estilos: el turco, el persa, el ruso y el chino son evidentes. Algunas venían con la casa cuando los Benton se mudaron y se intercambiaron piezas de arte por otras. La mayoría están desgastadas y descoloridas, pero Rita se sentía muy orgullosa de ellas.
Paint Pigments
You can see Tom had many jars full of different pigment colors. Throughout much of his career, he used egg tempera paint for his art. Egg tempera is mixed using equal parts distilled water and egg yolk, plus the powdered pigment for color. Benton typically was drawn to rich tones, often in an autumnal palette. It is fast drying and durable, making it an excellent choice for Benton’s murals and large canvases.
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Pigmentos de pintura
Se puede ver que Tom tenía muchos frascos llenos de diferentes colores de pigmentos. A lo largo de gran parte de su carrera, utilizó témpera de huevo para su arte. La témpera de huevo se forma mezclando partes iguales de agua destilada y yema de huevo, más el pigmento en polvo para el color. A Benton le atraían normalmente los tonos vivos, a menudo en una paleta otoñal. Es de secado rápido y duradero, lo que la convierte en una excelente opción para los murales y los grandes lienzos de Benton.
Painted Windows, ca. 1954
These foyer windows were painted by Jessie Benton at age 14 or 15 as a Christmas present for her parents. She was listening to traditional Christmas music and incorporated angels and other religious figures into her composition. Jessie later referred to this as her “Medieval or Baroque Period.” Tom and Rita encouraged both of their children to pursue interests in art and music. The window to the left is unfinished because Jessie became interested in a boy.
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Ventanas pintadas, alrededor de 1954
Estas ventanas del vestíbulo fueron pintadas por Jessie Benton a sus 14 o 15 años como regalo de Navidad para sus padres. Escuchaba música tradicional de Navidad e incorporó ángeles y otras figuras religiosas en su composición. Más tarde, Jessie se refirió a esto como su “período medieval o barroco”. Tom y Rita alentaron a sus dos hijos a interesarse por el arte y la música. La ventana de la izquierda no está terminada debido a que Jessie se interesó por un chico.
Photo of Tom and Rita, 1969
This lovely picture of 80-year-old Tom and 73-year-old Rita Benton was taken at their summer retreat on Martha’s Vineyard. The couple were a team, and Rita’s support was crucial to Tom’s success. Jessie said of her parents, “My mother taught me to love people and my father taught me to love life.”
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Foto de Tom y Rita, 1969
Esta encantadora foto de Tom, de 80 años, y Rita Benton, de 73, fue tomada en sus vacaciones de verano en Martha’s Vineyard. La pareja era un equipo, y el apoyo de Rita fue crucial para el éxito de Tom. Jessie dijo sobre sus padres: “Mi madre me enseñó a amar a la gente y mi padre me enseñó a amar la vida”.
Photo with Harry Truman, ca. 1961-62
This picture of Tom Benton and Harry Truman was taken not long after Benton finished the mural Independence and the Opening of the West for the Harry S. Truman Presidential Library. Although earlier in Harry’s career he was not a fan of Benton’s work, they were introduced again after Truman left public office and hit it off. Both were native Missourians who loved history, their home state and a glass of good bourbon. Truman then called Benton, “The best damned painter in America.”
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Foto con Harry Truman, alrededor de 1961 y 1962
Esta foto de Tom Benton y Harry Truman se tomó poco después de que Benton terminara el mural Independence and the Opening of the West (La independencia y la apertura del oeste) para la Biblioteca Presidencial Harry S. Truman. Aunque al principio de la carrera de Harry no era un admirador de la obra de Benton, fueron presentados nuevamente luego de que Truman dejara el cargo público y se llevaron muy bien. Ambos eran nativos de Missouri que amaban la historia, su estado natal y un vaso de buen bourbon. Truman luego llamó a Benton: “El mejor maldito pintor de América”.
Push-Button Light Switches
At the turn of the 20th century, the Roanoke neighborhood was considered a haven away from the smelly stockyards near the river and the crowded conditions of downtown Kansas City. Although the original owner was on the board of the electric company, power lines did not yet reach that far south and the house was first outfitted for gas lighting. A few years later, electricity was added and visitors can see several of the old push-button light switches around the home.
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Interruptores de luz de botón pulsador
A principios del siglo 20, el barrio de Roanoke era considerado un refugio alejado de los malolientes corrales cercanos al río y de las condiciones de hacinamiento del centro de Kansas City. Aunque el propietario original formaba parte de la mesa directiva de la compañía eléctrica, las líneas eléctricas aún no llegaban tan al sur y la casa se equipó primero con alumbrado de gas. Unos años más tarde, se incorporó la electricidad y los visitantes pueden ver varios de los antiguos interruptores de luz de botón pulsador por la casa.
Reading Glasses
Tom Benton loved to read nearly every night before bed. The smallest room on the second floor served as a cozy place to do that. Here, you see his reading glasses next to his chair, sitting on top of an Alexandre Dumas play. Benton could read in French and Italian; he learned the former when he studied art in Paris and Italian from his Milanese wife, Rita.
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Gafas para leer
A Tom Benton le gustaba leer casi todas las noches antes de acostarse. La habitación más pequeña del segundo piso era un lugar acogedor para hacerlo. Aquí ves sus gafas para leer junto a su silla, encima de una obra de Alejandro Dumas. Benton sabía leer en francés e italiano; el primero lo aprendió cuando estudió arte en París y el italiano de su esposa milanesa, Rita.
Recipe Books
Rita Piacenza Benton was born in northern Italy in 1896 and immigrated to New York City as a pre-teen. She was a warm, gracious host and loved cooking for their guests. She often made Italian dishes like spaghetti and incorporated lots of seafood into their meals when she, Tom and the kids made their annual trip to their Martha’s Vineyard summer home.
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Libros de recetas
Rita Piacenza Benton nació en el norte de Italia en 1896 y emigró a Nueva York cuando era preadolescente. Era una anfitriona cálida y amable y le encantaba cocinar para sus invitados. A menudo preparaba platos italianos, como espaguetis, e incorporaba mucho marisco a sus comidas cuando ella, Tom y los niños hacían su viaje anual a su casa de verano en Martha’s Vineyard.
Sewing Machine
Rita was a talented seamstress. In the early years of their marriage (1922), before Tom was financially stable as an artist, Rita wrote a sewing column for Ladies’ Home Journal. She designed and modelled hats, painted ceramic tiles and helped make ends meet. She also did needlepoint and knitting; if you look on the window seat in this room, you’ll see a child’s blue sweater she made for a friend’s daughter.
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Máquina de coser
Rita era una talentosa costurera. En los primeros años de su matrimonio (1922), antes de que Tom se estabilizara económicamente como artista, Rita escribió una columna sobre costura para Ladies’ Home Journal. Diseñaba y modelaba sombreros, pintaba baldosas de cerámica y ayudaba con las cuentas. También hizo bordados y tejidos; si miras en el asiento de la ventana de esta habitación, verás un suéter azul de niño que hizo para la hija de una amiga.
Sheet Music
This cozy bedroom was for their son, T.P. The shelves are full of miscellaneous books and magazines, but you’ll also find a lot of sheet music in the mix. T.P. learned to play recorder, then flute, from a young age. As an adult, he played professionally in many quartets and trios, and with the Boston and Orlando Symphonies.
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Partituras
Este acogedor dormitorio fue para su hijo, T.P. Las estanterías están llenas de todo tipo de libros y revistas, pero también encontrarás muchas partituras entre ellos. T.P. aprendió a tocar la flauta dulce, y luego la flauta travesera, desde muy joven. De adulto, tocó profesionalmente en muchos cuartetos y tríos, y con las Sinfonías de Boston y Orlando.
Studio Window
The window on the north side of the building was put in for Tom as he was converting this portion of the outbuilding from an old stable to his studio. For many artists, northern light is considered ideal to paint by because the light is indirect and stays fairly constant during the day. As you look around the room, note that Benton painted over all the eastern and southern windows.
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Ventana del studio
La ventana del lado norte del edificio fue colocada por Tom, ya que estaba convirtiendo esta parte de la dependencia de un antiguo establo en su estudio. Para muchos artistas, la luz del norte se considera ideal para pintar debido a que es indirecta y permanece bastante constante durante el día. Al mirar la habitación, notarás que Benton pintó sobre todas las ventanas del este y del sur.
Ten-hole Hohner harmonica, key of C
Benton taught himself to play harmonica in 1931 after his son, T.P., had been gifted one. It was easy to carry, and Tom often played folk songs with people he encountered on his sketching trips around the country. He became friends with Charles and Pete Seeger, Alan Lomax and Burl Ives. He often would do paintings of musicians, or use a folk music song title as a painting subject.
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Armónica Hohner de diez agujeros, clave de Do
Benton aprendió a tocar la armónica por su cuenta en 1931, luego de que le regalaran una a su hijo T.P. Era fácil de llevar, y Tom solía tocar canciones folclóricas con la gente que encontraba en sus viajes artísticos por el país. Se hizo amigo de Charles y Pete Seeger, Alan Lomax y Burl Ives. A menudo hacía cuadros de músicos, o utilizaba el título de una canción de música folclórica como tema pictórico.
Tom’s Desk
Benton was a true Renaissance man. He made his name as a painter, but was also a sculptor, musician, lecturer and writer. He wrote many published articles and two autobiographies during his career. An Artist in America focused mostly on his sketching travels around the country as an artist; he shared many stories about the interesting people he encountered, as well as astute observations about the people, regions and country as whole. An American in Art examined his technical development as an artist and his career.
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Escritorio de Tom
Benton era un verdadero hombre del Renacimiento. Se hizo famoso como pintor, pero también fue escultor, músico, profesor y escritor. Escribió muchos artículos publicados y dos autobiografías durante su carrera. An Artist in America (Un artista en América) se centró sobre todo en sus viajes artísticos por el país; compartió muchas historias sobre la gente interesante que encontró, así como astutas observaciones sobre la gente, las regiones y el país en general. An American in Art (Un americano en el arte) examinó su desarrollo técnico como artista y su carrera.
Unfinished
Study
for Benton Farm, 1972
Gouache on Board
To really understand tone and intensity—how light or dark a color is—in a painting, it is beneficial for the artist to completely remove color from the equation. Therefore, part of Benton’s artistic process was making a grayscale study to understand the color values in his painting.
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Obra sin terminar para Benton Farm (Granja Benton) 1972, gouache sobre table
Para comprender realmente el tonoy la intensidad, cuán claro u oscuro es un color, en una pintura, es beneficioso que el artista elimine completamenteel color de la ecuación. Por lo tanto, parte del proceso artístico de Benton consistía en hacer un estudio en escala degrises para comprender los valores de color de su pintura.
Saturday Night at Tom Benton’s, 1942
Decca Records
The Bentons were friends with many musicians and welcomed people into their home. On weekend evenings, they often gathered in the living room after dinner for musicales. This is how they got the idea for the album. Tom was interested in both folk and classical music, which can be heard in the song selections. Their son, T.P., who was 15 and already an excellent flute player, got to record with his dad and the other musicians. Source: Courtesy of the University of Missouri-Kansas City, Marr Sound Archives.
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Saturday Night at Tom Benton’s (Sábado por la noche en casa de Tom Benton), 1942, bajo el sello discográfico Decca
Los Benton eran amigos de muchos músicos y recibían a la gente en su casa. Los fines de semana por la noche, a menudo se reunían en el salón después de la cena para escuchar música. Así es como se les ocurrió la idea del álbum. A Tom le interesaba tanto la música folclórica como la clásica, lo que se puede apreciar en la selección de canciones. Su hijo, T.P., que tenía 15 años y ya era un excelente flautista, grabó con su padre y los demás músicos.
Study for Cave Spring
1962, Oil and Tempera on Masonite
This verdant scene features a popular stopping point on the Current River in southern Missouri. Nearly every year, Benton took a canoe trip with friends down different Ozark rivers, with his two favorites being the Current and the Buffalo. Source: On loan from Private Collector
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Study for Cave Spring
(Obra para Cave Spring), 1962, óleo y témpera sobre masonita
Esta escena verde muestra un popular punto de parada en el río Current, en el sur de Missouri. Casi todos los años, Benton hacía un viaje en canoa con amigos por diferentes ríos de Ozark, siendo sus dos favoritos el Current y el Buffalo.
CONTACT
Thomas Hart Benton Home
& Studio State Historic Site
House
Details
Square Feet: Approx. 7800
Number of Rooms: 24
Number of Bathrooms: 6
Number of Fireplaces: 4
Number of Stories: 3 (plus a finished basement)
Year Built: 1903
Original Cost: $38,000
Materials: Locally sourced limestone blocks and cedar shingles, with a pink quartzite cobblestone driveway
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Medida en pies cuadrados: Aproximadamente 7800
Número de habitaciones: 24
Número de baños: 6
Número de chimeneas: 4
Número de pisos: 3 (más un sótano terminado)
Año de construcción: 1903
Costo original: $38,000
Materiales: Bloques de piedra caliza de origen local y tejas de cedro, con una entrada de adoquines de cuarcita rosa
Site History
Thomas Hart Benton was a renowned 20th Century painter, sculptor, lecturer and writer. The Kansas City home at 3616 Belleview was built in 1903 for a local businessman in an eclectic Arts and Crafts style in an upper-middle class neighborhood. A few families owned the property before the Bentons bought the home in 1939. A large stone outbuilding is on the southwest corner of the lot. The carriage house on the western half was soon converted to a garage, and the stable on the eastern side was later converted to Benton’s art studio. The Benton family lived in the house from 1939 to 1975 and it became a state historic site in 1977, still fully furnished with the family’s belongings and furniture. After renovations and cataloging of the artifacts, the home opened to the public in 1983. Guests are now able to tour the home and Benton’s studio. Reflections of Thomas Hart Benton’s life are present in both his home and his paintings.
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Thomas Hart Benton fue un renombrado pintor, escultor, profesor y escritor del siglo 20. La casa de Kansas City ubicada en la calle Belleview n.º 3616 se construyó en 1903 para un empresario local en un estilo ecléctico de Artes y Oficios en un barrio de clase media alta. Unas cuantas familias fueron propietarias de la propiedad antes de que los Benton compraran la casa en 1939. En la esquina suroeste del terreno hay una gran dependencia externa de piedra. La cochera de la mitad occidental se convirtió pronto en un garaje, y el establo del lado oriental se convirtió más tarde en el estudio de arte de Benton. La familia Benton vivió en la casa desde 1939 hasta 1975, y en 1977 se convirtió en un sitio histórico del estado, conservando todas las pertenencias y muebles de la familia. Tras las renovaciones y la catalogación de los artefactos, la casa se abrió al público en 1983. Ahora los visitantes pueden visitar la casa y el estudio de Benton. Los reflejos de la vida de Thomas Hart Benton están presentes tanto en su casa como en sus cuadros.
Site History
Thomas Hart Benton was a renowned 20th Century painter, sculptor, lecturer and writer. The Kansas City home at 3616 Belleview was built in 1903 for a local businessman in an eclectic Arts and Crafts style in an upper-middle class neighborhood. A few families owned the property before the Bentons bought the home in 1939. A large stone outbuilding is on the southwest corner of the lot. The carriage house on the western half was soon converted to a garage, and the stable on the eastern side was later converted to Benton’s art studio. The Benton family lived in the house from 1939 to 1975 and it became a state historic site in 1977, still fully furnished with the family’s belongings and furniture. After renovations and cataloging of the artifacts, the home opened to the public in 1983. Guests are now able to tour the home and Benton’s studio. Reflections of Thomas Hart Benton’s life are present in both his home and his paintings.
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Thomas Hart Benton fue un renombrado pintor, escultor, profesor y escritor del siglo 20. La casa de Kansas City ubicada en la calle Belleview n.º 3616 se construyó en 1903 para un empresario local en un estilo ecléctico de Artes y Oficios en un barrio de clase media alta. Unas cuantas familias fueron propietarias de la propiedad antes de que los Benton compraran la casa en 1939. En la esquina suroeste del terreno hay una gran dependencia externa de piedra. La cochera de la mitad occidental se convirtió pronto en un garaje, y el establo del lado oriental se convirtió más tarde en el estudio de arte de Benton. La familia Benton vivió en la casa desde 1939 hasta 1975, y en 1977 se convirtió en un sitio histórico del estado, conservando todas las pertenencias y muebles de la familia. Tras las renovaciones y la catalogación de los artefactos, la casa se abrió al público en 1983. Ahora los visitantes pueden visitar la casa y el estudio de Benton. Los reflejos de la vida de Thomas Hart Benton están presentes tanto en su casa como en sus cuadros.
CONTACT
COMPANY NAME
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING ELIT. MORBI RHONCUS LACUS EROS, NEC LOBORTIS SAPIEN PHARETRA AT. PELLENTESQUE EU PHARETRA TORTOR, ET TEMPUS DOLOR. SUSPENDISSE ULTRICES VULPUTATE TORTOR NEC EUISMOD.
CONTACT
COMPANY NAME
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING ELIT. MORBI RHONCUS LACUS EROS, NEC LOBORTIS SAPIEN PHARETRA AT. PELLENTESQUE EU PHARETRA TORTOR, ET TEMPUS DOLOR. SUSPENDISSE ULTRICES VULPUTATE TORTOR NEC EUISMOD.
SITE HISTORY
Thomas Hart Benton was a renowned 20th Century painter, sculptor, lecturer and writer. The Kansas City home at 3616 Belleview was built in 1903 for a local businessman in an eclectic Arts and Crafts style in an upper-middle class neighborhood. A few families owned the property before the Bentons bought the home in 1939.
A large stone outbuilding is on the southwest corner of the lot. The carriage house on the western half was soon converted to a garage, and the stable on the eastern side was later converted to Benton’s art studio.
The Benton family lived in the house from 1939 to 1975 and it became a state historic site in 1977, still fully furnished with the family’s belongings and furniture. After renovations and cataloging of the artifacts, the home opened to the public in 1983. Guests are now able to tour the home and Benton’s studio. Reflections of Thomas Hart Benton’s life are present in both his home and his paintings.
Thomas Hart Benton fue un renombrado pintor, escultor, profesor y escritor del siglo XX. La casa de Kansas City ubicada en la calle Belleview n.º 3616 se construyó en 1903 para un empresario local en un estilo ecléctico de Artes y Oficios en un barrio de clase media alta. Unas cuantas familias fueron propietarias de la propiedad antes de que los Benton compraran la casa en 1939.
En la esquina suroeste del terreno hay una gran dependencia externa de piedra. La cochera de la mitad occidental se convirtió pronto en un garaje, y el establo del lado oriental se convirtió más tarde en el estudio de arte de Benton.
La familia Benton vivió en la casa desde 1939 hasta 1975, y en 1977 se convirtió en un sitio histórico del estado, conservando todas las pertenencias y muebles de la familia. Tras las renovaciones y la catalogación de los artefactos, la casa se abrió al público en 1983. Ahora los visitantes pueden visitar la casa y el estudio de Benton. Los reflejos de la vida de Thomas Hart Benton están presentes tanto en su casa como en sus cuadros.
NAME & SURNAME
COMPANY NAME
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING ELIT. MORBI RHONCUS LACUS EROS, NEC LOBORTIS SAPIEN PHARETRA AT. PELLENTESQUE EU PHARETRA TORTOR, ET TEMPUS DOLOR. SUSPENDISSE ULTRICES VULPUTATE TORTOR NEC EUISMOD.
INFORMATION
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING ELIT. MORBI RHONCUS LACUS EROS, NEC LOBORTIS SAPIEN PHARETRA AT.
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LOREM IPSUM DOLOR SIT
HOUSE DETAILS
PELLENTESQUE AC FRINGILLA NULLAM EUISMOD IPSUM AT TINCIDUNT RHONCUS. SUSPENDISSE POTENTI. NULLA VITAE SEMPER DOLOR, ET BIBENDUM SAPIEN.
PRICE:
Original Cost: $38,000
Year Built: 1903
HOUSE DETAILS
Locally sourced limestone blocks and cedar shingles, with a pink quartzite cobblestone
LOREM IPSUM DOLOR SIT
HOUSE DETAILS
PELLENTESQUE AC FRINGILLA NULLAM EUISMOD IPSUM AT TINCIDUNT RHONCUS. SUSPENDISSE POTENTI. NULLA VITAE SEMPER DOLOR, ET BIBENDUM SAPIEN.