#: locale=en
## Action
### Text to Speech
TextToSpeechBehaviour_EC0A9FCD_C727_64B7_41DC_C45D62AD452B.text = Next Pano
TextToSpeechBehaviour_31790246_12C5_740A_419A_C19B8BFDFA0B.text = Orient Leftwards
TextToSpeechBehaviour_CDE69DA4_844B_F83F_41CD_984DDB7F4B30.text = Orient Leftwards
TextToSpeechBehaviour_300374CD_12C5_1C1E_41B1_03F3EF8E0978.text = Orient backwards
TextToSpeechBehaviour_CDE21DAE_844B_F80B_41C5_7BF9402D9CA4.text = Orient backwards
TextToSpeechBehaviour_3178F497_12C5_1C09_419F_4C24FF6E7330.text = Orient frontwards
TextToSpeechBehaviour_CDE5BDAE_844B_F80B_41DD_C7708E7A05C6.text = Orient frontwards
TextToSpeechBehaviour_3024FA07_12C7_1409_418D_D9DDE93728EB.text = Orient rightwards
TextToSpeechBehaviour_CDE3FDAF_844B_F809_41D5_29E8E8384BFE.text = Orient rightwards
TextToSpeechBehaviour_CDE4FDAF_844B_F809_41E0_6DD205D54D3E.text = Previous Pano
TextToSpeechBehaviour_30578C46_12C5_6C0B_417E_D3F3884E9B9A.text = Previous Pano
TextToSpeechBehaviour_5AFF2D8E_4A50_ED0A_41C7_263AA75E4EE0.text = Scott Joplin House State Historic Site \
2658 Delmar Blvd., St. Louis, MO 63103 \
Office Number: 314-340-5790
TextToSpeechBehaviour_CDE3BDB6_844B_F81B_41BD_71AFF93DEA45.text = Scott Joplin House State Historic Site \
2658 Delmar Blvd., St. Louis, MO 63103 \
Office Number: 314-340-5790
### URL
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## Hotspot
### Text
HotspotPanoramaOverlayTextImage_1766F0AE_C929_DCF5_41BE_30553F5E893B.text = To Pommer House
HotspotPanoramaOverlayTextImage_14F7DBCD_C92B_ACB7_41D4_6651EC2FD7FD.text = To Strehly House
## Media
### Audio
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### Audio Subtitles
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### Title
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Deutschheim State Historic Site
101 West 2nd Street, Hermann, MO 65041
Office Number: 573-486-2200
Email: Deutschheimstatehistoricsite@dnr.mo.gov
CONTACT
Deutschheim State Historic Site
101 West 2nd Street, Hermann, MO 65041
Office Number: 573-486-2200
Email: Deutschheimstatehistoricsite@dnr.mo.gov
A balcony with white bannister overlooking the backyard back center.A green wall, with an open doorway front left.
A blue hallway with yellow trim and chair rail, with a door back center and an open doorway front center.
A blue hallway with yellow trim and chair rail, with an open doorway front center.
A blue room with yellow trim and chair rail, a window back center. A bookcase back left. A chest back center. A table and chair back right. A door front right.
A blue room with yellow trim and chair rail, an open doorway back center. A wardrobe back center. A table, stove and chair back right. A table front left.
A blue room with yellow trim and chair rail, an open doorway back left. A portrait hanging back center. A rocking chair back center. Two chairs and a table back right.
A blue room with yellow trim and chair rail, an open doorway back left. A rock chair front left. A chair and table front right.
A blue room with yellow trim and chair rail, with an open doorway back left. A wardrobe back center. A blue wall with yellow trim and an open doorway front center.
A blue room with yellow trim and chair rail. A table and chair back center. A dresser back right. A wardrobe front left and a stove front center.
A blue wall with yellow trim and an open doorway front center. click to move forward.
A brick and wood wall with a door on left.
A brick and wood wall with a door on left.
A brick building, white garage, and tree back right. A two story brick house center. A mulch path front center, with a garden on both sides. Path runs straight ahead to steps down to a patio.
A brick hall with a window on the left.
A brick hall with an open doorway back left and back center. Equipment on right.
A brick hall with an open doorway on the left and another center. Equipment on right.
A brick hall with two windows back center. A hallway front left. A bannister front center runs straight ahead. Steps lead to a lower hallway front right.
A brick hall with two windows back center. A hallway front left. A bannister front center runs straight ahead. Steps lead to a lower hallway front right.
A brick patio with a view of the garden. A two story brick building in the distance on left. Five concrete steps on left and a stone retaining wall center runs left to right. A cistern front center. A bench front right.
A brick patio with an open doorway back center. A pink room with brown trim, and an open doorway front center. A storage cabinet with a frame photo above it front right.
A brick room with an open double doorway back right. A large barrel back left. Equipment left. Wine press front right.
A brick room with an open double doorway back right. A large barrel front left.
A brick room with two windows back center. Barrells and chests back left and right.
A brick room with two windows back center. Tables back center. Barrells right. Wine press front left.
A brick room with two windows. Barrells and chest back center. A winepress left. A work bench right.
A brick two story house back center and trees and a fence back right. A stone foundation wall left. A stone paver patio front center.
A brick two story house back left. A red shed back right. A mulch path runs straight ahead with a grass yard on both sides.
A brick wall with two windows. A workbench and equipment front center.
A brick wall. Equipment front center.
A concrete room with equipment back center. A stone wall with an open doorway front center.
A covered landing with a wood plank wall on left and stone wall back center. A wooden staircase with 5 steps back right.
A covered patio. A wood beam front left. A frame and lattice door front right.
A cream room with a window back left. A chair back left. A table back center. two beds ahead covered with quilts.
A cream room with a window left and fireplace center. A bed front left. Wooden beams top right.
A cream room with blue trim and an open doorway center. A desk and chair left.
A cream room with blue trim, with an open doorway left and window back center. A chest back center. A bed right.
A cream room with blue trim. A wardrobe front left. A blue door front right.
A cream room with brown trim. A bed front left. A chest front right.
A cream room with two beds and a chair back center. A green wall with an open doorway front center.
A cream room with two windows, an open doorway, and a chest and bed back center. A white wall with an open doorway front center.
A cream room, with a window left and an open doorway back left and back right. A bed back center. A dresser left, a bed right.
A cream room, with two windows. A desk and chair back left. A dresser back right. A bed front center.
A green hallway with a window back center. An open doorway back left and middle right. A staircase heading down front left. A bannister runs straight ahead front center. A cabinet back center.
A green hallway with an open doorway back center. A staircase bannister front right and runs straight ahead center.
A green room with a window back center and an open doorway and yellow wall front right. A bed front left and rocking chair front center.
A green room. A wardrobe back left. A dresser back center. A bed front right.
A green wall front center. An open doorway front right.
A green wall with a window. A table front center.
A green wall with an open doorway front center and window right. A table front right.
A green wall with an open doorway front center. A wardrobe right.
A green wall. A door front center.
A house back center. A stone paver walkway through a grape arbor front center.
A large brick room with two windows on left and two windows back center. Barrels and chests on left and right. A wine press back center.
A paved road and sidewalk runs straight ahead on left. A brick two story building left. A brick landing with white bannister left. A brick house with a window right. A brick landing leading to a staircase front center.
A paved road runs straight ahead on right. Trees and a building right. Twelve concrete steps lead to a brick house front left. A sidewalk runs parallel to road front right.
A paved road runs straight ahead, lined with two telephone poles on left and trees on right.
A paved road runs straight ahead. A brick building back left. A two story garage and stone wall right. A sidewalk runs parallel to road front left. A historic site sign front right.
A paved road runs straight ahead. Brick buildings line both sides of the street. Shrubs left.
A peach and pink room with yellow trim. A door back center and window right. A table back right. A stove front left. A table and chairs front right. A hanging portrait back right.
A peach wall back left with two windows and a yellow plank wall back right. A hutch back right. A table and four chairs front right.
A peach wall with two windows back left and a yellow plank wall right. A table and two chairs front left. A hutch front right.
A pink room with a piano back left. A yellow plank wall with an open doorway left, a pink wall with yellow trim right. A dresser center. a chair front left and a stove front right.
A pink room with a window, desk and chair back center. A yellow wall with an open doorway center. A piano forte left.
A pink room with brown trim, a window center. A framed photo front left. A desk front right.
A pink room with brown trim, a window left. A desk and chair front left. A hutch front right.
A pink room with yellow trim and chair rail, and an open doorway right. A cook stove front left.
A pink room with yellow trim and chair rail, and an open doorway right. A hutch front left.
A pink room with yellow trim and window back center. A day bed front center. A piano front right. A hanging blessing back left.
A pink room with yellow trim and windows back left and center. A day bed back center. A table left. A piano front right. A hanging portrait back center. Framed portrait and books on top of piano.
A pink room with yellow trim, with a yellow plank wall back center and an open doorway back left. A door right. A piano front left and a rocking chair front right.
A pink wall with yellow chair rail. A table front left. A hutch front right.
A pink wall with yellow trim and an open doorway right. A piano front center.
A pink wall with yellow trim and two windows. A rocking chair front left. A table front center. A daybed front right. A portrait hanging front center.
A pink wall with yellow trim front left and an open doorway front right.
A pink wall. A dresser front center.
A room with furniture and an open doorway back center. A brick house with an open double doorway front center.
A sidewalk runs left to right in between trees and shrubs in mulch.
A stone and brick staircase. A stone wall front left. Brick and stone steps front right.
A stone and brick wall. A barrel and glass bottles front left.
A stone and brick wall. Scrap metal front center. Five wine barrels front right.
A stone cellar with a brick arch ceiling. Barrels and scrap metal back left. Glass bottles, a barrell and scrap wood right.
A stone cellar with a brick arch ceiling. Bottles on a beam back right. Bottles, a barrell and scrap wood left
A stone paver walkway through a grape arbor front center.
A stone wall. Scrap wood front left and front right.
A two story brick building sits on top of a stone foundation. A staircase with railing on left.
A white hall landing with double doors. A bannister left and back center. A staircase to the basement cellar front center.
A white hall, with an open doorway back left and front right. A bannister left.
A white hall, with double doors and a brick cellar steps back left and window back right. A front center and runs straight ahead on right.
A white room with a blue door center. A bed and trundle front left. A crib front right.
A white room with a staircase front center. A chest front left.
A white room with a window and stair case back center. A white room with an open doorway center and door right. A table back center. A long table front right.
A white room with a window back center. A table and case back center. A white room with a doorway front center. A table front left
A white room with a window back right. A rocking chair and child's chair back center. A stove front left. A bed front right.
A white room with a window left and basement windows back center and back right. Type cases back center. A table left. A printing press front right.
A white room with an open doorway left and a door back center. A table back left and back right.
A white room with blue trim, a window back center. A table with cookie molds front center. A hutch front right.
A white room with blue trim. A blessing hanging on the wall left. A storage cabinet front left. A cookstove front right.
A white room with blue trim. An open doorway front center. A hutch on left. A door on right.
A white room. A printing press back center. A table with newspapers front left.
A white room. A printing press front left. A chest front right.
A white wall with a door front right.
A white wall with a door. A bannister right.
A white wall with a window center.
A white wall with two basement windows. A type case front left and front right. A quote front left.
A white wall. A chest front left and front right. An ordinance hanging front right.
A white washed brick wall with a white door front center. A glimpse of yard on left.
A white washed brick wall with a window left.
A whitewash brick wall with an open doorway front center. A bench front left.
A whitewash brick wall with an open doorway front left. A brick patio and glimpse of garden right.
A whitewash brick wall. Wood equipment front center.
A wood plank upper wall with a stone foundation, and an open doorway left. Farm equipment back center.
A wood plank upper wall with a stone foundation. Farm equipment front center.
A wood plank upper wall with a stone foundation. Farm equipment front center.
A yellow doorway front center.
A yellow plank wall on left, and a pink wall with yellow trim and a door and window back center. A rocking chair front right.
A yellow plank wall with an open doorway front center.
A yellow plank wall with two steps in right corner on left and a pink wall with yellow trim, with a window on right. A high chair front center. A table front right.
A yellow room with a doorway back center, a fireplace left and staircase right. A desk and chair back left. Two chairs, a table, and display case back right. Two chairs and a table left. A couch and A chair on the right.
A yellow room with a window and door back center. A desk and table back center. A pink room with brown trim, with an open doorway front center. A hutch cabinet door left. A door front right.
A yellow room with a window left and fireplace back center. A chair back left. A desk back right. A table and chair front left. A chair front right. A portrait hangs above fireplace.
A yellow room with a window right. A staircase leading upstairs front left. A chair front right.
A yellow room with double doors and tables and chairs back center. A white wall with blue trim and an open doorway front center.
A yellow room with two windows and a door. A staircase on left. A chair back center. A chair left. A table and chair right.
A yellow room, with a doorway left. A pianoforte back center. A stove and glass showcase on the right. A pianoforte front left.
A yellow room, with a window left and fireplace back right. A one step landing with a chair and rack back left. A portrait hanging above fireplace. A side table front left. A chair and table front right.
A yellow room, with two windows and a double door. A storage cabinet back left. A long table back center. A work bench right.
A yellow room, with two windows and a double door. Storage cabinets back left. A long table back center. A stove front left.
A yellow room. A chair front left. A pianoforte front center.
A yellow room. A pianoforte front center.
A yellow room. A work bench back left. A pianoforte front right.
A yellow wall with an open doorway center. A chair front left. A chair front right.
A yellow wall with planks and an open doorway
A yellow wall with white double doors front center.
A yellow wall. A work bench front center.
Brick house off in the distance. Brick house back left and back right. A tree back center. A garden front center.
Houses and a fence in the distance. A grass yard back center. A grape arbor front center.
Houses and a paved road on left. A door and frame front center. A bannister front right.
Houses and trees off in the distance on right. A sidewalk and paved road right. A door and frame front left.
Houses and trees off in the distance. A paved road runs straight ahead. A brick house on right.
Houses and trees off in the distance. A paved road runs straight ahead.
Houses back left and the backyard back center. A white washed brick wall left. A white bannister front center.
The corner of a blue room with yellow trim and chair rail, with a window left. A cabinet and chair back right. A chest front left.
The corner of a blue room with yellow trim and chair rail. A table and chair front left. A display shelf front right.
The corner of a brick and stone cellar. A barrell front left. Wood beams front center. Scrap wood front right.
The corner of a brick and stone cellar. Steps front left. Glass bottles on a beam front center.
The corner of a brick hallway. a door on the left leading to a room, door on the right outside.
The corner of a brick room. A table front left. Barrels front right.
The corner of a peach room, with a door front left. A table front right. Fencing foils front center.
The corner of a pink room with yellow trim, a door right.
The corner of a white room with a window left. A table front left. A type case front right.
The corner of a white room. A pot front center. A stove front right.
The corner of a yellow room under the staircase. A corner display case back center. A table and chair left. A couch front right.
The corner of green room, with an open doorway front left. A stove front right.
The corner of white washed brick balcony, with an open doorway left and door back right.
The front porch on the second story of a brick home. The brick pathway has a white railing on the left. The porch overlooks the road in the distance.
Trees and a brick house off in the distance. A white siding house with a stone foundation left. A shed back right. A stone walkway front left. A sloped yard and garden front right.
Trees and a house on a hill back center. A retaining wall with a steps center. A paved road front center.
Trees and brick houses off in the distance. A brick two story house back right. A paved road runs left to right. A patch of grass front center, a street sign front right
Trees and brick houses off in the distance. A paved road runs left to right. A sidewalk front center. Signs front left and front right.
Trees and house in the distance on left. A brick two story house back center. A lattice wall with an open doorway back center. A stone foundation wall right. A stone paver patio with three stone steps front left.
Trees and houses in the distance. A garden with stone paver edging back left. An arbor front center.
Trees and houses in the distance. A paved road running left to right. White bannister front center.
Trees and houses in the distance. A shed back left. A garden back center and an arbor back right. A stone paver patio front center.
Trees in the distance on left and a building center. A garden and arbor front center. A beam front right.
Trees in the distance on left. A brick house back left. An attached brick two story building back right. A sidewalk curb front center. A historic sign front right.
Trees in the distance. A wood fence back center. A garden front center.
Trees off in the distance. A stone wall with ten concrete steps center. A metal gate front right.
Wood plank barn doors back center. Farm equipment front left.
Deutschheim State Historic Site
Pommer House Details:
• Square Feet: 3,648
• Number of Rooms: 8
• Materials: Brick and wood
• Number of Fireplaces: 2
• Number of Stories: 2
• Original Power Source: Candles, oil lanterns and wood burning stoves
• Year Built: 1840
• Original Cost: Approx. $800
Strehly House and Winery Details:
• Square Feet: 4,602
• Number of Rooms: 8
• Materials: Brick and wood
• Number of Stories: 1
• Original Power Source: Candles, oil lanterns and wood burning stoves
• Year Built: 1842
• Original Cost: $150
Deutschheim State Historic Site
Pommer House Details:
• Square Feet: 3,648
• Number of Rooms: 8
• Materials: Brick and wood
• Number of Fireplaces: 2
• Number of Stories: 2
• Original Power Source: Candles, oil lanterns and wood burning stoves
• Year Built: 1840
• Original Cost: Approx. $800
Strehly House and Winery Details:
• Square Feet: 4,602
• Number of Rooms: 8
• Materials: Brick and wood
• Number of Stories: 1
• Original Power Source: Candles, oil lanterns and wood burning stoves
• Year Built: 1842
• Original Cost: $150
Wine Cellar
In 1857, nearly a decade after planting some of his first grapevines with brother-in-law Eduard, Carl now a full-time vintner, added a winery onto his family home. The winery consists of a pressroom and a cellar directly below. To construct the cellar, bricks were set over a large mound of dirt that afterward was dug out to leave this stunning arched-ceiling room used to ferment and store the wine.
Wine Cellar
In 1857, nearly a decade after planting some of his first grapevines with brother-in-law Eduard, Carl now a full-time vintner, added a winery onto his family home. The winery consists of a pressroom and a cellar directly below. To construct the cellar, bricks were set over a large mound of dirt that afterward was dug out to leave this stunning arched-ceiling room used to ferment and store the wine.
An Ordinance Abolishing Slavery in Missouri
Written on Jan. 11, 1865 at the end of the Missouri State Constitutional Convention, this copy of An Ordinance Abolishing Slavery in Missouri was given to Hermann resident and vintner George Husmann who chaired the writing committee. While this is a reproduction, it contains the signatures of each convention member, and Deutschheim holds one of the three handwritten copies in its archival collections.
An Ordinance Abolishing Slavery in Missouri
Written on Jan. 11, 1865 at the end of the Missouri State Constitutional Convention, this copy of An Ordinance Abolishing Slavery in Missouri was given to Hermann resident and vintner George Husmann who chaired the writing committee. While this is a reproduction, it contains the signatures of each convention member, and Deutschheim holds one of the three handwritten copies in its archival collections.
Licht Freund and Hermanner Wochenblatt, (1843-1854)
Eduard Muehl and Carl Strehly began publishing the religious, rationalist and German biweekly newspaper Licht Freund (Friend of Light) in Cincinnati, Ohio. The two men continued the publication after they moved to Hermann in 1843 and began publishing the Hermanner Wochenblatt (Hermann Weekly Paper). In addition to publishing Muehl’s editorials that boldly condemned human enslavement, they also included reports from other newspapers and anti-slavery literature. In 1853, they serialized Harriet Beecher Stowe’s “Uncle Tom’s Cabin” in German on the front page for 26 weeks. Taking a vocal stance against slavery in this period was generally seen as radical and came with risks when residing in the largely slave-owning area of the Missouri River valley.
Licht Freund and Hermanner Wochenblatt, (1843-1854)
Eduard Muehl and Carl Strehly began publishing the religious, rationalist and German biweekly newspaper Licht Freund (Friend of Light) in Cincinnati, Ohio. The two men continued the publication after they moved to Hermann in 1843 and began publishing the Hermanner Wochenblatt (Hermann Weekly Paper). In addition to publishing Muehl’s editorials that boldly condemned human enslavement, they also included reports from other newspapers and anti-slavery literature. In 1853, they serialized Harriet Beecher Stowe’s “Uncle Tom’s Cabin” in German on the front page for 26 weeks. Taking a vocal stance against slavery in this period was generally seen as radical and came with risks when residing in the largely slave-owning area of the Missouri River valley.
Biedermeier Furniture
The Biedermeier furniture and aesthetic that became popular during the early 1800s in Central Europe also influenced the decorative choices of Missouri Germans. Often constructed from fruitwoods, Biedermeier furniture by design is more restrained and elegant, while also being functional and affordable to the growing middle-class.
Biedermeier Furniture
The Biedermeier furniture and aesthetic that became popular during the early 1800s in Central Europe also influenced the decorative choices of Missouri Germans. Often constructed from fruitwoods, Biedermeier furniture by design is more restrained and elegant, while also being functional and affordable to the growing middle-class.
Biedermeier-Style Coal Stove
In general, Germans tended to prefer cast iron coal stoves in their homes, opposed to fireplaces, as they heated more efficiently. From Stuttgart Germany, this style of stove was rare in the United States, but today it serves as an example of what was used in Germany. This particular design consists of three chambers to trap heat before going out the flue for optimum heat retention.
Biedermeier-Style Coal Stove
In general, Germans tended to prefer cast iron coal stoves in their homes, opposed to fireplaces, as they heated more efficiently. From Stuttgart Germany, this style of stove was rare in the United States, but today it serves as an example of what was used in Germany. This particular design consists of three chambers to trap heat before going out the flue for optimum heat retention.
Brush & Palette Club
In the 1950s, the Brush & Palette Club of Hermann, established by local artisans and preservationists and led by Anna Hesse, began work to protect the local heritage and promote cultural arts. As a fundraiser, in 1952 the Club revived the traditional Maifest festival, a celebration of Hermann’s German culture that included German food, music, dancing, dress and more. This helped fund projects like the preservation of the Pommer house, slated for demolition by the city, and the purchase of the Strehly house. After operating a museum for several years in the Pommer house, in 1978, the Club donated both properties to the State of Missouri.
Brush & Palette Club
In the 1950s, the Brush & Palette Club of Hermann, established by local artisans and preservationists and led by Anna Hesse, began work to protect the local heritage and promote cultural arts. As a fundraiser, in 1952 the Club revived the traditional Maifest festival, a celebration of Hermann’s German culture that included German food, music, dancing, dress and more. This helped fund projects like the preservation of the Pommer house, slated for demolition by the city, and the purchase of the Strehly house. After operating a museum for several years in the Pommer house, in 1978, the Club donated both properties to the State of Missouri.
Carl Pommer’s Pianoforte, ca. 1830
In 1811, at the age of 31, skilled pianoforte maker Carl Pommer emigrated from Germany to Philadelphia, Pennsylvania. There he met and married Carolina Steglis from Prussia. They soon established both a family and a business making guitars, violins and pianofortes. Similar to the full-sized pianos common today, a pianoforte has a resonator box, but only 66 keys, rather than 88. Sometime in the 1830s, Carl constructed this pianoforte using mahogany, mother of pearl for the inlay and ivory for the keys. As the secretary of the German Settlement Society, Carl was one of the first to purchase stock. He intended to move his business and family to Hermann, but tragically died in 1838. Despite Carl’s premature death, Carolina and six of their children moved into their new Hermann home and workshop in 1840. There, Carl’s eldest son, Friedrich, began building pianofortes while his younger brothers worked as carpenters building furniture.
Carl Pommer’s Pianoforte, ca. 1830
In 1811, at the age of 31, skilled pianoforte maker Carl Pommer emigrated from Germany to Philadelphia, Pennsylvania. There he met and married Carolina Steglis from Prussia. They soon established both a family and a business making guitars, violins and pianofortes. Similar to the full-sized pianos common today, a pianoforte has a resonator box, but only 66 keys, rather than 88. Sometime in the 1830s, Carl constructed this pianoforte using mahogany, mother of pearl for the inlay and ivory for the keys. As the secretary of the German Settlement Society, Carl was one of the first to purchase stock. He intended to move his business and family to Hermann, but tragically died in 1838. Despite Carl’s premature death, Carolina and six of their children moved into their new Hermann home and workshop in 1840. There, Carl’s eldest son, Friedrich, began building pianofortes while his younger brothers worked as carpenters building furniture.
Carl Strehly
In 1843, Bohemian-born Carl Strehly moved to Hermann with his sister Paulina and brother-in-law and business partner, Eduard Muehl. Before moving to Hermann, they lived in Cincinnati, Ohio, where Carl published the German newspaper Licht Freund with Muehl, the paper’s editor. Carl purchased this modest home for both the family residence and print shop, where within three weeks of moving, he and Eduard continued publishing Licht Freund, and in 1845 began Hermann’s first weekly newspaper, the Hermanner Wochenblatt. Following the death of Eduard in the cholera epidemic of 1854, Carl sold the newspaper and became a full time vintner.
Carl Strehly
In 1843, Bohemian-born Carl Strehly moved to Hermann with his sister Paulina and brother-in-law and business partner, Eduard Muehl. Before moving to Hermann, they lived in Cincinnati, Ohio, where Carl published the German newspaper Licht Freund with Muehl, the paper’s editor. Carl purchased this modest home for both the family residence and print shop, where within three weeks of moving, he and Eduard continued publishing Licht Freund, and in 1845 began Hermann’s first weekly newspaper, the Hermanner Wochenblatt. Following the death of Eduard in the cholera epidemic of 1854, Carl sold the newspaper and became a full time vintner.
Cistern
Hermann households used cisterns as their source of water because the town’s rocky topography made digging wells impractical. Generally underground tanks, cisterns hold rainwater collected from the rooftop and funneled into them via gutters and downspouts. The hand-cranked pump created suction, pulling the water upward and out the spout, allowing for easy water retrieval.
Cistern
Hermann households used cisterns as their source of water because the town’s rocky topography made digging wells impractical. Generally underground tanks, cisterns hold rainwater collected from the rooftop and funneled into them via gutters and downspouts. The hand-cranked pump created suction, pulling the water upward and out the spout, allowing for easy water retrieval.
Coal-Burning Stove
Cast-iron stoves served as a cooking appliance and source of heat. The stove’s design concentrated the heat for cooking and came equipped with a temperature gauge. This particular stove is made to burn coal, which burned longer than wood and was readily available in the area, from Illinois mines. Companies delivered coal directly into the basement, through the coal shoot, and residents shoveled the coal into a chamber inside the stove and later emptied it to remove the ash. While an effective source of heat, coal burning also has negative environmental effects, which compelled the City of St. Louis to pass the first smoke ordinance in 1867 to minimize the air pollution. For decades the city struggled with air quality, even experiencing a black out in 1939. During the 1940s, the development of centralized, alternative power sources largely eliminated the need for individual coal-burning stoves.
Coal-Burning Stove
Cast-iron stoves served as a cooking appliance and source of heat. The stove’s design concentrated the heat for cooking and came equipped with a temperature gauge. This particular stove is made to burn coal, which burned longer than wood and was readily available in the area, from Illinois mines. Companies delivered coal directly into the basement, through the coal shoot, and residents shoveled the coal into a chamber inside the stove and later emptied it to remove the ash. While an effective source of heat, coal burning also has negative environmental effects, which compelled the City of St. Louis to pass the first smoke ordinance in 1867 to minimize the air pollution. For decades the city struggled with air quality, even experiencing a black out in 1939. During the 1940s, the development of centralized, alternative power sources largely eliminated the need for individual coal-burning stoves.
Crazy Quilt
After early European settlers brought the craft of quilting to America, it took on its own unique American identity. While Hermann was a German community, they also adopted aspects of American culture, like quilting. The women in the Strehly household hand stitched the family bedding. This crazy quilt, not original to the Strehlys, contains Maifest ribbons that local schoolteachers gave to their students at the annual Maifest celebration.
Crazy Quilt
After early European settlers brought the craft of quilting to America, it took on its own unique American identity. While Hermann was a German community, they also adopted aspects of American culture, like quilting. The women in the Strehly household hand stitched the family bedding. This crazy quilt, not original to the Strehlys, contains Maifest ribbons that local schoolteachers gave to their students at the annual Maifest celebration.
Early German Settlement in Missouri
In Missouri, early German settlement (marked in pink) was largely concentrated along the Missouri River and in some places along the Mississippi River. Many immigrants arrived in New Orleans via ship, traveled up the Mississippi River to St. Louis and then went west on the Missouri. Immigration journals, like that of Gottfried Duden’s published in 1829, glorified Missouri as a place of limitless opportunity with abundant natural resources and available land. Once in Missouri, Germans significantly contributed to the state’s agricultural development, economy, politics and culture. They also played a major role during the Civil War era to keep Missouri, a slave state, in the Union. Map by Russel Gerlach, courtesy of the Missouri State Archives.
Early German Settlement in Missouri
In Missouri, early German settlement (marked in pink) was largely concentrated along the Missouri River and in some places along the Mississippi River. Many immigrants arrived in New Orleans via ship, traveled up the Mississippi River to St. Louis and then went west on the Missouri. Immigration journals, like that of Gottfried Duden’s published in 1829, glorified Missouri as a place of limitless opportunity with abundant natural resources and available land. Once in Missouri, Germans significantly contributed to the state’s agricultural development, economy, politics and culture. They also played a major role during the Civil War era to keep Missouri, a slave state, in the Union. Map by Russel Gerlach, courtesy of the Missouri State Archives.
Eduard Muehl Quote
During the early 19th century, Germans made up one of the largest immigrant populations in the United States. They sought religious freedom, the prospect of land ownership and economic opportunities available in the developing United States. By the 1850s, German immigration increased significantly after the failed revolutions of 1848, amid worsening political and economic turmoil in Germany. However, at the same time the United States was in the throngs of a contentious debate over slavery and on the cusp of civil war. Having escaped oppression in the Old Country, freedom-seeking German immigrants generally opposed slavery and some individuals actively supported the abolition movement. Eduard Muehl frequently criticized the institution of slavery and on Oct. 29, 1852, the Hermanner Wochenblatt published Muehl’s quote that states, “We hold ourselves as free men who did not escape slavery in our old homelands to support it here in America.”
Eduard Muehl Quote
During the early 19th century, Germans made up one of the largest immigrant populations in the United States. They sought religious freedom, the prospect of land ownership and economic opportunities available in the developing United States. By the 1850s, German immigration increased significantly after the failed revolutions of 1848, amid worsening political and economic turmoil in Germany. However, at the same time the United States was in the throngs of a contentious debate over slavery and on the cusp of civil war. Having escaped oppression in the Old Country, freedom-seeking German immigrants generally opposed slavery and some individuals actively supported the abolition movement. Eduard Muehl frequently criticized the institution of slavery and on Oct. 29, 1852, the Hermanner Wochenblatt published Muehl’s quote that states, “We hold ourselves as free men who did not escape slavery in our old homelands to support it here in America.”
Eduard Muehl
Born in Saxony, Eduard immigrated to the United States in 1836 and settled in Cincinnati, Ohio, where he met Carl Strehly and began publishing the Licht Freund. In 1841, Eduard married Carl’s sister, Paulina, about 20 years his junior. As a writer, editor and human rights advocate, Eduard expressed his support for the abolition of slavery and free inquiry, which questioned all religious doctrine. In 1843, the Muehl family and Carl Strehly moved to Hermann where the two men continued publishing the Licht Freund and began publishing Hermann’s first weekly newspaper the Hermanner Wochenblatt in 1845. In 1854, Eduard, a daughter and son of his, died during a cholera epidemic, a disease that spread through fecally contaminated drinking water and affected major port cities like London, Madrid and New Orleans. After Eduard’s death, Carl sold the newspaper to Swiss German Jacob Graf, who changed the name to the Hermanner Volksblatt.
Eduard Muehl
Born in Saxony, Eduard immigrated to the United States in 1836 and settled in Cincinnati, Ohio, where he met Carl Strehly and began publishing the Licht Freund. In 1841, Eduard married Carl’s sister, Paulina, about 20 years his junior. As a writer, editor and human rights advocate, Eduard expressed his support for the abolition of slavery and free inquiry, which questioned all religious doctrine. In 1843, the Muehl family and Carl Strehly moved to Hermann where the two men continued publishing the Licht Freund and began publishing Hermann’s first weekly newspaper the Hermanner Wochenblatt in 1845. In 1854, Eduard, a daughter and son of his, died during a cholera epidemic, a disease that spread through fecally contaminated drinking water and affected major port cities like London, Madrid and New Orleans. After Eduard’s death, Carl sold the newspaper to Swiss German Jacob Graf, who changed the name to the Hermanner Volksblatt.
Fencing Foils
These fencing foils, which Eduard Muehl used while at the University of Leipzig, represent a European tradition transplanted via immigration. Fencing, the practice of swordsmanship, historically was taught for the purpose of combat and then later as a sport. For a brief time in the 1830s, Eduard taught fencing on the East Coast, but the sport never gained popularity in the United States as it did in Europe.
Fencing Foils
These fencing foils, which Eduard Muehl used while at the University of Leipzig, represent a European tradition transplanted via immigration. Fencing, the practice of swordsmanship, historically was taught for the purpose of combat and then later as a sport. For a brief time in the 1830s, Eduard taught fencing on the East Coast, but the sport never gained popularity in the United States as it did in Europe.
Friedrich William Pommer’s Pianoforte, ca. 1840s
Sometime in the early 1840s, Friedrich Pommer, the eldest son of Carl and Carolina built this pianoforte, in this room. In 1842, a Washington, D.C. newspaper reporting on “Western Manufacturers” reported that six of Pommer’s Hermann-made pianos had been shipped South on the riverboat Emilee. In addition to Friedrich’s fine artisanship, his location on the Missouri River greatly contributed to his success as a pianoforte maker. The impact of the Missouri River and steamboat technology on Hermann’s economy during this period cannot be underestimated. Serving as a major transportation route, the river allowed producers, like Friedrich, to reach a market and sell their products far beyond the remote community of Hermann. In the late 1840s Friedrich moved to St. Louis where the fast-growing city provided a stronger market for his pianofortes. His brother Ferdinand then ran a furniture business out of the former piano workshop until Friedrich’s death in 1856. At that time, Ferdinand moved to St. Louis to take over his brother’s business and the house was sold.
Friedrich William Pommer’s Pianoforte, ca. 1840s
Sometime in the early 1840s, Friedrich Pommer, the eldest son of Carl and Carolina built this pianoforte, in this room. In 1842, a Washington, D.C. newspaper reporting on “Western Manufacturers” reported that six of Pommer’s Hermann-made pianos had been shipped South on the riverboat Emilee. In addition to Friedrich’s fine artisanship, his location on the Missouri River greatly contributed to his success as a pianoforte maker. The impact of the Missouri River and steamboat technology on Hermann’s economy during this period cannot be underestimated. Serving as a major transportation route, the river allowed producers, like Friedrich, to reach a market and sell their products far beyond the remote community of Hermann. In the late 1840s Friedrich moved to St. Louis where the fast-growing city provided a stronger market for his pianofortes. His brother Ferdinand then ran a furniture business out of the former piano workshop until Friedrich’s death in 1856. At that time, Ferdinand moved to St. Louis to take over his brother’s business and the house was sold.
German Cookstove, ca. 1830
Made in the Giessen area of Germany, this circa 1830s cookstove is both efficient and visually appealing with its Biedermeier-style decorations. This common German design, allowed for three levels, thus three temperatures, of cooking as well as two ovens for baking. A distinctly different design from the American flat-top stoves of the time, the German cookstove would have been fondly remembered, but unobtainable for many German-American households.
German Cookstove, ca. 1830
Made in the Giessen area of Germany, this circa 1830s cookstove is both efficient and visually appealing with its Biedermeier-style decorations. This common German design, allowed for three levels, thus three temperatures, of cooking as well as two ovens for baking. A distinctly different design from the American flat-top stoves of the time, the German cookstove would have been fondly remembered, but unobtainable for many German-American households.
Grape Arbor and Vines
Hermann, located on a steep and rocky Missouri River bank, was not particularly well suited for general agriculture, however provided ideal grape-growing conditions. In 1844, to stimulate the wine industry, the town of Hermann sold town lots for grape cultivation. As an incentive, the town sold each lot for $50 and gave buyers the option to payback the costs over 5 years, interest free, if planted immediately. In 1847, Eduard Muehl and Carl Strehly purchased a lot and planted a vineyard on eastern hillsides in town for their prospective winery. In 1854, Strehly planted these Norton Virginia Seedling grapes, purchased from George Husmann’s nursery. This arbor has been reconstructed to replicate a Hermann grape arbor.
Grape Arbor and Vines
Hermann, located on a steep and rocky Missouri River bank, was not particularly well suited for general agriculture, however provided ideal grape-growing conditions. In 1844, to stimulate the wine industry, the town of Hermann sold town lots for grape cultivation. As an incentive, the town sold each lot for $50 and gave buyers the option to payback the costs over 5 years, interest free, if planted immediately. In 1847, Eduard Muehl and Carl Strehly purchased a lot and planted a vineyard on eastern hillsides in town for their prospective winery. In 1854, Strehly planted these Norton Virginia Seedling grapes, purchased from George Husmann’s nursery. This arbor has been reconstructed to replicate a Hermann grape arbor.
House Construction
The Pommer house was constructed from brick, which was an easily accessible resource in Hermann. Using the mortise and tenon technique, the timber frame beams have tenons fit into mortise pockets, held together with wooden pegs. This largely eliminated the need for hand-forged nails, an expensive material at the time. The interior is painted in the original colors of milk paint, which could easily be made at home and helped keep the interior bright.
House Construction
The Pommer house was constructed from brick, which was an easily accessible resource in Hermann. Using the mortise and tenon technique, the timber frame beams have tenons fit into mortise pockets, held together with wooden pegs. This largely eliminated the need for hand-forged nails, an expensive material at the time. The interior is painted in the original colors of milk paint, which could easily be made at home and helped keep the interior bright.
Joseph Strehly
Born in 1778, as a young man Joseph lived with his wife Clara and five children in Prague where he became skilled at textile design and fabric printing. As young adults, his children began immigrating to the United States seeking better opportunities, and in 1849, following Clara’s death, Joseph moved to Hermann to be near his son Carl and daughter Paulina Muehl. Joseph lived with Carl, Sophia and their family for nearly a decade until his death in 1860.
Joseph Strehly
Born in 1778, as a young man Joseph lived with his wife Clara and five children in Prague where he became skilled at textile design and fabric printing. As young adults, his children began immigrating to the United States seeking better opportunities, and in 1849, following Clara’s death, Joseph moved to Hermann to be near his son Carl and daughter Paulina Muehl. Joseph lived with Carl, Sophia and their family for nearly a decade until his death in 1860.
Joseph Strehly’s Dye Recipe Book
In 1849, when Joseph Strehly emigrated from Prague to Hermann, he brought his dye recipe books and nearly 90 pattern-printing blocks. In Europe, Joseph trained and worked as a professional textile dyer and designer. He produced fabric collections using hand-carved wooden blocks and his own hand-written manual titled Chemical Color and Dye Book. Some of the printing blocks contain brass bars and pins to better transfer fine details and include a variety of motifs, such as flowers, leaves, grapes and paisleys.
Joseph Strehly’s Dye Recipe Book
In 1849, when Joseph Strehly emigrated from Prague to Hermann, he brought his dye recipe books and nearly 90 pattern-printing blocks. In Europe, Joseph trained and worked as a professional textile dyer and designer. He produced fabric collections using hand-carved wooden blocks and his own hand-written manual titled Chemical Color and Dye Book. Some of the printing blocks contain brass bars and pins to better transfer fine details and include a variety of motifs, such as flowers, leaves, grapes and paisleys.
Mourning Brooch
The sister of Carl Strehly and wife of Eduard Muehl, Paulina was photographed wearing this mourning brooch, constructed from her mother’s hair. During the Victorian period, women commonly wore hair jewelry and partook in the ritual of mourning as ways to remember and grieve for their deceased loved ones.
Mourning Brooch
The sister of Carl Strehly and wife of Eduard Muehl, Paulina was photographed wearing this mourning brooch, constructed from her mother’s hair. During the Victorian period, women commonly wore hair jewelry and partook in the ritual of mourning as ways to remember and grieve for their deceased loved ones.
Pommer Barn
When the Pommers first arrived to Hermann, they built a small log building that they lived in while their brick house was being constructed. In circa 1882, a half-timber barn was built on the existing stone foundation. Such outbuildings were common structures in Hermann, although this example is not of the typical, high-quality German American craftsmanship. Currently, the barn holds 19th century farming equipment including a homemade hand garden plow, a locally manufactured Missouri Plow Boy horse-drawn plow, an ice saw, a log peavey, a ‘T’ handled spade, a pitchfork, a hoe and a threshing flail. These tools helped families and farmers increase food and livestock feed production, and decrease the amount of manual exertion.
Pommer Barn
When the Pommers first arrived to Hermann, they built a small log building that they lived in while their brick house was being constructed. In circa 1882, a half-timber barn was built on the existing stone foundation. Such outbuildings were common structures in Hermann, although this example is not of the typical, high-quality German American craftsmanship. Currently, the barn holds 19th century farming equipment including a homemade hand garden plow, a locally manufactured Missouri Plow Boy horse-drawn plow, an ice saw, a log peavey, a ‘T’ handled spade, a pitchfork, a hoe and a threshing flail. These tools helped families and farmers increase food and livestock feed production, and decrease the amount of manual exertion.
Pommer Garden
In the 1840s, settlers planted vegetable and herb gardens to provide food for the household and they grew varieties that today we consider heirlooms. For optimum space efficiency, families constructed their homes in the Old World tradition, with the fronts of their houses abutting the sidewalks to allow for more garden space in the back. Many families had an additional 40 acres outside of town to grow crops, such as cabbage and potatoes, and to provide grazing land for their animals. German immigrants typically planted annually 100 heads of cabbage per each person in the household because cabbage is an early-season crop, easily preserved and contains high levels of vital nutrients. Sweet woodruff, or Waldmeister, was also a commonly grown herb that is native to most of Europe and used for both medicinal and culinary purposes. Its anti-inflammatory and antibacterial properties made it ideal for treating ailments ranging from open wounds to digestive upset before the advent of modern medicine. Its sweet, earthy scent and flavor was well suited for infusing with wine to make the beverage Maiwein. Image courtesy of the Library of Congress.
Pommer Garden
In the 1840s, settlers planted vegetable and herb gardens to provide food for the household and they grew varieties that today we consider heirlooms. For optimum space efficiency, families constructed their homes in the Old World tradition, with the fronts of their houses abutting the sidewalks to allow for more garden space in the back. Many families had an additional 40 acres outside of town to grow crops, such as cabbage and potatoes, and to provide grazing land for their animals. German immigrants typically planted annually 100 heads of cabbage per each person in the household because cabbage is an early-season crop, easily preserved and contains high levels of vital nutrients. Sweet woodruff, or Waldmeister, was also a commonly grown herb that is native to most of Europe and used for both medicinal and culinary purposes. Its anti-inflammatory and antibacterial properties made it ideal for treating ailments ranging from open wounds to digestive upset before the advent of modern medicine. Its sweet, earthy scent and flavor was well suited for infusing with wine to make the beverage Maiwein. Image courtesy of the Library of Congress.
Pommer House Blessing
Generally, most German homes had a house blessing. While some house blessings convey religious themes, this particular blessing is in the “home-sweet-home style” saying:
“After the day’s toil and burden
and the world’s hardships
A person needs, for rest and repose,
A place on earth
Where, far from the tumult of the world,
Each can say, I am home”
Pommer House Blessing
Generally, most German homes had a house blessing. While some house blessings convey religious themes, this particular blessing is in the “home-sweet-home style” saying:
“After the day’s toil and burden
and the world’s hardships
A person needs, for rest and repose,
A place on earth
Where, far from the tumult of the world,
Each can say, I am home”
Pommer House, 1840
In 1840, Carolina Pommer commissioned the construction of what would be Hermann’s most expensive residential structure, located on one of the best lots in the town. The 2 ½ story Pommer house was designed in a style similar to homes in Philadelphia. Its elaborate Flemish-bond facade features a projecting front gable end with a lunette window under its ornate cornice. The Pommer house contained both a family residence and piano-making business with two identical double front doors that allowed the Pommers to keep their business and family lives separate. The home stood as a reminder of the status and wealth that Carl and Carolina accumulated in the Philadelphia German community prior to Carl’s death and the family’s relocation.
Pommer House, 1840
In 1840, Carolina Pommer commissioned the construction of what would be Hermann’s most expensive residential structure, located on one of the best lots in the town. The 2 ½ story Pommer house was designed in a style similar to homes in Philadelphia. Its elaborate Flemish-bond facade features a projecting front gable end with a lunette window under its ornate cornice. The Pommer house contained both a family residence and piano-making business with two identical double front doors that allowed the Pommers to keep their business and family lives separate. The home stood as a reminder of the status and wealth that Carl and Carolina accumulated in the Philadelphia German community prior to Carl’s death and the family’s relocation.
Rosa Strehly, ca. 1960s
Born in 1865, Rosa was the youngest child of Carl and Sophia Strehly, and the last resident of the Strehly house. Upon Rosa’s death in 1962, the Brush & Palette Club purchased the house, winery and most of Rosa’s possessions to serve as a historic house museum and painting workshop.
The framed portrait of Tanta Rosa reading to the young boy is the work of her nephew, Clarence Hesse, a Brush & Palette Club member; the boy is his son Charles.
Rosa Strehly, ca. 1960s
Born in 1865, Rosa was the youngest child of Carl and Sophia Strehly, and the last resident of the Strehly house. Upon Rosa’s death in 1962, the Brush & Palette Club purchased the house, winery and most of Rosa’s possessions to serve as a historic house museum and painting workshop.
The framed portrait of Tanta Rosa reading to the young boy is the work of her nephew, Clarence Hesse, a Brush & Palette Club member; the boy is his son Charles.
Site History
In 1836, members of the German Settlement Society of Philadelphia formed a joint stock company with the intention of forming a self-sustaining community that would preserve German language, culture and traditions. The following year, the Society sent George Bayer to Missouri in search of a large tract of land that would be suitable for farming and manufacturing, and near a navigable river. After visiting various locations, Bayer purchased 11,300 acres on the southern banks of the Missouri River about 70 miles west of St. Louis, which would later become Hermann. Between 1836 and 1839, the Society sold 678 shares in America, and the first settlers arrived in late 1837. Today, the Pommer and Strehly houses stand as reminders of Hermann’s German-American heritage. Both built in the early 1840s and containing dedicated workspace, the houses exemplify the variety of skilled crafts that the German community transplanted to this remote area of Missouri. Purchased and preserved by the Brush & Palette Club, in 1978 the Club donated both houses to the State of Missouri. Image courtesy of the Library of Congress.
Site History
In 1836, members of the German Settlement Society of Philadelphia formed a joint stock company with the intention of forming a self-sustaining community that would preserve German language, culture and traditions. The following year, the Society sent George Bayer to Missouri in search of a large tract of land that would be suitable for farming and manufacturing, and near a navigable river. After visiting various locations, Bayer purchased 11,300 acres on the southern banks of the Missouri River about 70 miles west of St. Louis, which would later become Hermann. Between 1836 and 1839, the Society sold 678 shares in America, and the first settlers arrived in late 1837. Today, the Pommer and Strehly houses stand as reminders of Hermann’s German-American heritage. Both built in the early 1840s and containing dedicated workspace, the houses exemplify the variety of skilled crafts that the German community transplanted to this remote area of Missouri. Purchased and preserved by the Brush & Palette Club, in 1978 the Club donated both houses to the State of Missouri. Image courtesy of the Library of Congress.
Sophia Strehly
Born in Hanover, Germany, Sophia Schlender married Carl Strehly in Gasconade County in 1849. Together the couple had 10 children, but two sets of twins died of cholera, and only six of their children lived to adulthood. Although it would have been primarily Sophia’s responsibility to manage the household, they raised six children in this house, kept a kitchen garden, along with two cows and a horse. In addition to the many other household chores, a family member daily walked the larger animals to the communal grazing grounds and then brought them back home in the evening.
Sophia Strehly
Born in Hanover, Germany, Sophia Schlender married Carl Strehly in Gasconade County in 1849. Together the couple had 10 children, but two sets of twins died of cholera, and only six of their children lived to adulthood. Although it would have been primarily Sophia’s responsibility to manage the household, they raised six children in this house, kept a kitchen garden, along with two cows and a horse. In addition to the many other household chores, a family member daily walked the larger animals to the communal grazing grounds and then brought them back home in the evening.
Spekulatius and Springerle Cookie Molds, ca. 1850
Traditionally, Germans baked Spekulatius and Springerle cookies to celebrate the holidays. For centuries, these cookies were given as gifts, used to celebrate life events and to share news. While Spekulatius cookies are made from almonds, Springerle cookies are flavored with anise. However, both require the use of a mold, which is pressed onto rolled dough, then cut and baked.
Spekulatius and Springerle Cookie Molds, ca. 1850
Traditionally, Germans baked Spekulatius and Springerle cookies to celebrate the holidays. For centuries, these cookies were given as gifts, used to celebrate life events and to share news. While Spekulatius cookies are made from almonds, Springerle cookies are flavored with anise. However, both require the use of a mold, which is pressed onto rolled dough, then cut and baked.
Strehly House Blessing
“Divine Houseblessing
Where faith there is love
Where love there is peace
Where peace there is blessing
Where blessing there is God
Where God there is not want”
Strehly House Blessing
“Divine Houseblessing
Where faith there is love
Where love there is peace
Where peace there is blessing
Where blessing there is God
Where God there is not want”
Strehly House, 1842
Constructed in 1842, this German vernacular house consists of only three rooms and an open front porch with a full daylight stone cellar, a common design in early Hermann. The following year, Carl Strehly purchased the house for $150. In 1857, he added on a winery and later enclosed the front porch, connecting the two structures. The Strehly family maintained ownership of the property until 1962 when the Brush & Palette Club purchased it for preservation then later donated it to the State of Missouri.
Strehly House, 1842
Constructed in 1842, this German vernacular house consists of only three rooms and an open front porch with a full daylight stone cellar, a common design in early Hermann. The following year, Carl Strehly purchased the house for $150. In 1857, he added on a winery and later enclosed the front porch, connecting the two structures. The Strehly family maintained ownership of the property until 1962 when the Brush & Palette Club purchased it for preservation then later donated it to the State of Missouri.
Timber Frame and Nogging
The Strehly house was constructed using a common German, half-timber frame technique where the timbers are fit into mortise pockets and the two are held together with wooden pegs. Bricks, readily available in Hermann at the time, fill the spaces between the timbers, which is called nogging. However, whatever material was most readily available could be used as nogging.
Timber Frame and Nogging
The Strehly house was constructed using a common German, half-timber frame technique where the timbers are fit into mortise pockets and the two are held together with wooden pegs. Bricks, readily available in Hermann at the time, fill the spaces between the timbers, which is called nogging. However, whatever material was most readily available could be used as nogging.
Washington Printing Press, ca. 1840s
Although not Carl Strehly’s original printing press, this press is similar to the one that he owned. Following the death of business partner and brother-in-law Eduard Muehl in 1854, Carl sold the newspaper and press, and became a full-time vintner.
Click the printing press to see it work.
Washington Printing Press, ca. 1840s
Although not Carl Strehly’s original printing press, this press is similar to the one that he owned. Following the death of business partner and brother-in-law Eduard Muehl in 1854, Carl sold the newspaper and press, and became a full-time vintner.
Click the printing press to see it work.
Washington Printing Press, ca. 1840s
Although not Carl Strehly’s original printing press, this press is similar to the one that he owned. Following the death of business partner and brother-in-law Eduard Muehl in 1854, Carl sold the newspaper and press, and became a full-time vintner.
Click the printing press to see it work.
Washington Printing Press, ca. 1840s
Although not Carl Strehly’s original printing press, this press is similar to the one that he owned. Following the death of business partner and brother-in-law Eduard Muehl in 1854, Carl sold the newspaper and press, and became a full-time vintner.
Click the printing press to see it work.
William H. Pommer
The son of Friedrich and the grandson of Carolina and Carl, William Henry Pommer was born in 1851 in St. Louis. At the age of 11, he began studying music under prominent professors there. In 1872, William traveled to Europe where he studied at the Royal Conservatory of Leipzig and the Vienna Imperial Conservatory of Music. In 1875, when William returned to St. Louis, he created a successful career for himself, holding multiple prominent positions in the music departments of different schools. Most notably, from 1907 until his retirement in 1922, William served as a professor of music at the University of Missouri and during his tenure helped establish the Department of Music. Following his retirement, William continued to compose several new works until his death in 1937.
William H. Pommer
The son of Friedrich and the grandson of Carolina and Carl, William Henry Pommer was born in 1851 in St. Louis. At the age of 11, he began studying music under prominent professors there. In 1872, William traveled to Europe where he studied at the Royal Conservatory of Leipzig and the Vienna Imperial Conservatory of Music. In 1875, when William returned to St. Louis, he created a successful career for himself, holding multiple prominent positions in the music departments of different schools. Most notably, from 1907 until his retirement in 1922, William served as a professor of music at the University of Missouri and during his tenure helped establish the Department of Music. Following his retirement, William continued to compose several new works until his death in 1937.
Wine Cask
In 1875, Hermann residents Phillip Schneider and Friedrich Koeller handmade and hand carved this wine cask for local wine maker Franz Langendorfer. The cask depicts Bacchaus, the Roman god of wine, seated with a tiger and holding a drinking bowl. Notably, this cask is the last known remaining pre-prohibition German wine cask in the Midwestern or Eastern portion of the United States, as it was overlooked in the Langendorfer cave cellars south of the town. Prohibition, which criminalized the production, sale and consumption of alcohol from 1920 to 1933, economically crippled Hermann and other German communities across the county, as 95% of beer and wine came from German producers.
Wine Cask
In 1875, Hermann residents Phillip Schneider and Friedrich Koeller handmade and hand carved this wine cask for local wine maker Franz Langendorfer. The cask depicts Bacchaus, the Roman god of wine, seated with a tiger and holding a drinking bowl. Notably, this cask is the last known remaining pre-prohibition German wine cask in the Midwestern or Eastern portion of the United States, as it was overlooked in the Langendorfer cave cellars south of the town. Prohibition, which criminalized the production, sale and consumption of alcohol from 1920 to 1933, economically crippled Hermann and other German communities across the county, as 95% of beer and wine came from German producers.
Winepress
After grapes were harvested, sorted and crushed they went into the winepress, which applies pressure to the crushed grapes, separating the liquid from the solids. From the winepress, hoses directed the liquid into the fermentation vats, located in the cellar below. In the mid-19th century, this was a common process and piece of equipment in Hermann. According to an 1855 winemaking journal, Hermann held two-thirds of Missouri’s vineyards. By 1860, the small town had 66 commercially operating wineries and by 1865, Hermann was named the top wine producer in the United States.
Winepress
After grapes were harvested, sorted and crushed they went into the winepress, which applies pressure to the crushed grapes, separating the liquid from the solids. From the winepress, hoses directed the liquid into the fermentation vats, located in the cellar below. In the mid-19th century, this was a common process and piece of equipment in Hermann. According to an 1855 winemaking journal, Hermann held two-thirds of Missouri’s vineyards. By 1860, the small town had 66 commercially operating wineries and by 1865, Hermann was named the top wine producer in the United States.